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We’re all doing our best. But with 'Surviving is the New Living' Kaya just cranked out The Isolation Era Songbook.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRather than an addendum to her 2020 album ‘Watch This Liquid Pour Itself,’ ‘Surviving…' stands as its own bold statement and underscoring of Kaya's songwriting prowess.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe subtle acumen of Kaya’s voice has never been more clear — in one moment its an elegant contralto on the level of Sade; the next moment she approaches the fricative hoarseness of Lupita Nyong’o’s tether in ‘Us.’ Kaya’s voice contains multitudes. See the first moments of the horny, avant-R\u0026amp;B standout “Bill Withers” in which a creepy and low masculine moan rises and rises into something breezy. 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It’s meant to: the 12 songs contained within dive deep into the rich folklore of the American West to tell time-worn tales of love and trauma, heartbreak and spiritual renewal. Cast with a warm glow and finding Current Joys’ Nick Rattigan tapping into some of his lushest, most high-fidelity production to date, it’s the kind of album that listeners could see themselves within, and, hopefully, keep close when they’re most in need of reassurance or escapism. For Rattigan, though, it’s all that and more. “East My Love is an album I wrote at a low point, where I was struggling with a lot of mental health stuff,” he says. “Writing it was like my comfort blanket. In all of the madness that was happening in my mind, I was trying to soothe my soul with country music and transcendental folk – messages to myself from a different place.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRattigan wrote East My Love alone in the woods in Tennessee, with no cell reception and nobody in earshot for miles. Composed three years before Love + Pop, the experimental pop double record he released in 2023 and 2024, the songs on East My Love felt too raw to confront until he felt well and truly out from underneath the cloud that had been cast over him. Rattigan describes the songs as “landmines” that, for years, threatened to upend his carefully balanced mental state. “They were just triggers that would put me back in this emotional space, and I think eventually I got to a place where they were more comforting,” he recalls. “That’s what I hope people find out of the record – a solace from any anxieties or depressions.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlong with that comfort comes pain, and an acknowledgement that any repair requires some level of breakage. Lead single “California Rain” acts like a tableau depicting Rattigan’s attempt to escape his demons, its placid lyrics a distinct counterpoint to the tidal-wave production: “Isn’t it nice to get away?\/Clearing my head up, and dull away the pain.” It speaks to the album’s constant coin-toss between peace and chaos: “It’s like you’re trying to outrun your demons, but at a certain point, they become your friend, and you have to walk alongside them,” says Rattigan. “I feel like you don’t know that when you’re suppressing them – when you’re hiding them in the rain.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt other points, Rattigan is more clear-eyed about the struggle of moving forward; opening track “Echoes of the Past,” a simple fiddle-and-guitar track that counts among the most beautiful ballads Rattigan has ever written, aches with the acknowledgement that inner peace exists on a knife’s edge. “The world won’t end in blazing fire and brimstone – it’ll end from us not learning from our past and our mistakes,” says Rattigan.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn attempt to channel the gnarled country of Desire-era Dylan, “Echoes of the Past” introduces a record that’s equal parts tender and brutal, manic and clear-eyed. Its introspection is often tempered by music that’s buffeting and grand: the album’s title track channels the record’s quest for transcendence into a sweeping string coda that feels like a light at the end of the tunnel; on the wounded, forlorn “They Shoot Horses,” Rattigan translates vulnerability about his struggles with relationships into a vocal performance that’s so ragged it feels like it could disintegrate at any moment. Beauty and pain are inextricable on these songs, a state that’s reflective of Rattigan’s time writing in the woods. “There was a lot of pain and anxiety in this really beautiful setting, so there’s a duality to the songs,” he says. Walking around in the woods, playing the songs on acoustic guitar, Rattigan felt himself sink deeply into the rich, vast natural environment, a space in which he could access the base, almost childlike anger and pain he was contending with. When it came time to record the songs two years later, he worked with Andrew Sarlo, who was able to pull him back to the light while working on songs he had previously found too triggering to touch. “Not only is Sarlo technically a genius, but he’s the funniest person – constantly bringing a levity to the situation, and I feel like because the songs were so intense, it was nice to go in with this fresh approach,” says Rattigan. “He helped bring out the songs in a very cinematic way – he brought a lot of interesting, chaotic moments, moments of fault that are usually missing in a studio recording.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a purity of catharsis that runs through these songs; written without pretense, they take base human needs and desires and fit them into a grander tradition of American songwriting that takes in everything from Willie Nelson to Bright Eyes. 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That idea is at the heart of Before You Go, Brandon’s full-length debut, out May 9, 2025, on Secretly Canadian. A boundless collection of soul and R\u0026amp;B-infused alternative-pop guitar songs, the album explores the blurred lines between past and present, heartbreak and healing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 27-year-old singer, songwriter, and multi-instrumentalist, born Brandon Joseph to Trinidadian parents in Riverside, California, grew up in a family of musicians and all around music lovers. His mom, a singer, inspired him at a young age to sing himself, joining the kids choir at his local church at the age of 7. From there, his love for music grew and became the epicenter of his life.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Right Back,” the album’s lead single, is a striking showcase of Brandon’s ability to fuse guitar-driven alt-R\u0026amp;B with immersive, emotionally rich soundscapes. 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The record marks a stellar evolutionary leap for the North London singer-songwriter who first came to attention back in 2020, aged 16, with her self-recorded lockdown release 'Won’t You Be Happy'. Eaves began working on Little Miss Sunshine after a period of reflection which saw her question whether she could ultimately do justice to the music in her head.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTime spent with the record will reveal ten songs that look to the cycles of nature to explain and celebrate the emotional weather that makes us human. “At my lowest,” recalls Eaves, who at once point even laughs as she recalls how she resolved to give up music altogether with a view to entering a convent: “I just wanted to be unhuman, unfeeling and unmoved. Like a mountain or a tree. Or the sky. These are all things that have a purpose but I didn’t know what my purpose was. And so what I had to do was figure it out, song by song.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOn Little Miss Sunshine, it’s a story told in thrilling instalments, from the opening seconds of the album’s sonic establishing shot and lead single 'Hurricane Girl' a sensational synergy of diaphanous shoegaze harmonies and elemental rock guitars inspired by watching documentaries about storm chasers, using the metaphor to shine a light on friends who have been compelled to seek out tempestuous relationships. “I feel like this is my Pearl Jam song,” she explains, “The first time I ever listened to Pearl Jam. I was up this huge mountain in Wales. In the same week, I also heard Jagged Little Pill by Alanis Morissette for the first time.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom here, right through to its achingly evocative requiem to childhood 'Summer Rolls', each song on Little Miss Sunshine acts as shining a co-ordinate in an arc of self-discovery. There’s the soaring sonic skyburst of the album’s first release 'Everybody Talks', with its rising crescendo of intrusive voices, which gained widespread radio support on both sides of the Atlantic. For 'Mountain Sized', she referenced Lily Allen’s 2009 single The Fear – “because you’ve got this one woman casually listing all the worst things about herself, the kind of stuff you should be too embarrassed to admit.” However, on Eaves’ song, this fomenting anxiety is obliterated by a panoramic chorus which sees her smash through the membrane of her real-world restrictions in order to declare, “But in my mind\/But in my mind\/I am taller than the highest mountain sides.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe achingly mellifluous 'The Great Plains' sees Eaves interrogating her earliest memories spent idolising her older sister Dora. “She was so demure and mermaid-like,” recalls Eaves, “and I was ruled by my emotions – and the harder I tried not to be, the more I realised I could never be like her.” In the song, self-acceptance of sorts comes as Eaves looks to the natural world to tell her what it’s ok to be: “As I erupt into a blaze \/It’s ok the sky will do the same\/Let no-one bat an eye when \/Every year I’ll hibernate till May\/Because no-one blames the clouds for rain\/So take me as I am, tears down my face.” \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs the sessions gathered momentum, Eaves found drew inspiration from contemporaneous releases. Cases in point included Wolf Alice (“the only band that’s achieved the balance I’m always trying to get – the combination of guitars that go that heavy and vocals that go that high and ethereal”), Mannequin Pussy (“they gave me something of what I missed [in the era of Riot Grrrl] when L7 and Babes In Toyland were touring”); and CMAT’s “straight-up brilliant songwriting”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOther highlights on an album luminous with them are 'Daisy Chain Reaction', whose glistening power pop sheen conceals a lyric about the culture of competitiveness around eating disorders and the queasy mechanised attack of 'Just Say No', a song built around the brutal truths accrued from Eaves and her friends’ skirmishes with abusive men.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOver the course of two years, Eaves worked tirelessly to finesse every single verse, chorus, pre-chorus and middle eight on Little Miss Sunshine before entering the studio with the album’s co-producer Andy Savours (My Bloody Valentine, The Killers, The Horrors). This is an album on which every single detail has earned its right to be there, bearing testament to the singular musical vision of its creator.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLittle Miss Sunshine is released through Secretly Canadian on 17th April\u003c\/p\u003e","brand":"Eaves Wilder","offers":[{"title":"LP","offer_id":46786748776611,"sku":"SC504LP-C1","price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":46786748809379,"sku":"SC504cd","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc504.eaveswilder.lms.lp.c1.mock.jpg?v=1776688388"},{"product_id":"yearnalism","title":"YEARNALISM","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eGold Vinyl is exclusive to Secretly Store!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith modern dating being reduced to app-swiping, toxic nonchalance and even balloon-popping humiliation, we’re losing recipes on how to properly yearn for each other. But while most try to keep their guards up, Baby Rose is staying devoted to what’s real. Fresh off winning her first GRAMMY Award in the Best R\u0026amp;amp;B Album category for her part on Leon Thomas’ MUTT, the unmistakable contralto returns with Yearnalism, her third studio album steeped in confidence, care and liberating love.\u003c\/p\u003e\n\u003cp\u003eThe singer-songwriter-producer defines yearnalism as the process and documentation of desire in its many forms: “Desiring freedom, desiring love, desiring what you can't have, desiring\u003cbr\u003eexpansion.” This streamlined 12-song LP of soon-to-be classics creates a bumpy roadmap of\u003cbr\u003edesire free from ego. Rose notes that despite the current trend of “too cool” emotional avoidance in music and entertainment, she pushed herself and her collaborators to bare a different side of themselves. “If you're coming into my court, you're coming to yearn,” she declares with a laugh. \u003c\/p\u003e\n\u003cp\u003eThree albums in, Yearnalism is a sonic snapshot of Rose at her most self-assured. “This is me\u003cbr\u003ereally honing in and trusting that signature, catching lightning-in-a-bottle sound,” she says. “This is kind of a lesson in me really figuring out that my favorite process is being a part of the crew, being a part of this whole moment.”\u003c\/p\u003e\n\u003cp\u003eBaby Rose has been building up to this moment, brick by brick, for almost a decade. Raised between Washington D.C. and Fayetteville, N.C. on artists like Nina Simone, Donny Hathaway and Janis Joplin, the musician born Jasmine Rose Wilson has been a mainstay in alternative R\u0026amp;B since her 2019 debut, To Myself. That’s when the smoky resonance of her voice and a wise-beyond-her-years presence first stopped listeners in their tracks. Since then, she has held her own on records with Ari Lennox, Big K.R.I.T., Q, BADBADNOTGOOD and J. Cole. She closed out the end credits of Hollywood blockbuster Creed III and lent her talents to A24’s Materialists both onscreen and off by giving the film’s soundtrack two songs of aching texture and moonlighting as a wedding singer in a cameo. She’s graced stages with everyone from Robert Glasper to Vince Staples and made appearances in performance art at The Museum of Modern Art and ballets at Lincoln Center for the Performing Arts in arrangements by Misty Copeland’s choreographer, the legendary Kyle Abraham. Her industry admirers include heavyweights like SZA, Alicia Keys, Kendrick Lamar, J. Cole, H.E.R, Kehlani, James Blake and Olivia Dean. 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But while most try to keep their guards up, Baby Rose is staying devoted to what’s real. Fresh off winning her first GRAMMY Award in the Best R\u0026amp;B Album category for her part on Leon Thomas’ MUTT, the unmistakable contralto returns with Yearnalism, her third studio album steeped in confidence, care and liberating love.\u003c\/p\u003e\n\u003cp\u003eThe singer-songwriter-producer defines yearnalism as the process and documentation of desire in its many forms: “Desiring freedom, desiring love, desiring what you can't have, desiring\u003cbr\u003eexpansion.” This streamlined 12-song LP of soon-to-be classics creates a bumpy roadmap of\u003cbr\u003edesire free from ego. Rose notes that despite the current trend of “too cool” emotional avoidance in music and entertainment, she pushed herself and her collaborators to bare a different side of themselves. “If you're coming into my court, you're coming to yearn,” she declares with a laugh. \u003c\/p\u003e\n\u003cp\u003eThree albums in, Yearnalism is a sonic snapshot of Rose at her most self-assured. “This is me\u003cbr\u003ereally honing in and trusting that signature, catching lightning-in-a-bottle sound,” she says. “This is kind of a lesson in me really figuring out that my favorite process is being a part of the crew, being a part of this whole moment.”\u003c\/p\u003e\n\u003cp\u003eBaby Rose has been building up to this moment, brick by brick, for almost a decade. Raised between Washington D.C. and Fayetteville, N.C. on artists like Nina Simone, Donny Hathaway and Janis Joplin, the musician born Jasmine Rose Wilson has been a mainstay in alternative R\u0026amp;B since her 2019 debut, To Myself. That’s when the smoky resonance of her voice and a wise-beyond-her-years presence first stopped listeners in their tracks. Since then, she has held her own on records with Ari Lennox, Big K.R.I.T., Q, BADBADNOTGOOD and J. Cole. She closed out the end credits of Hollywood blockbuster Creed III and lent her talents to A24’s Materialists both onscreen and off by giving the film’s soundtrack two songs of aching texture and moonlighting as a wedding singer in a cameo. She’s graced stages with everyone from Robert Glasper to Vince Staples and made appearances in performance art at The Museum of Modern Art and ballets at Lincoln Center for the Performing Arts in arrangements by Misty Copeland’s choreographer, the legendary Kyle Abraham. Her industry admirers include heavyweights like SZA, Alicia Keys, Kendrick Lamar, J. Cole, H.E.R, Kehlani, James Blake and Olivia Dean. Plainly put, Rose’s name rings bells and her artistry speaks even higher volumes.\u003c\/p\u003e\n\u003cp\u003eGetting to the level of self-love that each track of Yearnalism exudes has been a journey for Rose and one that she plans to keep taking. Rose credits therapy for allowing her to call past bouts of anxiety and depression by their names, friends like SZA for introducing her to methods of breathwork and meditation and keeping God first for helping her stay grounded through her journey. With her continued study of Yearnalism, Rose reminds the listener that it’s worth it to say the hard parts out loud with honesty and to love in spite of fear.\u003c\/p\u003e","brand":"Baby Rose","offers":[{"title":"LP","offer_id":47614313496739,"sku":"SC494lp-C4","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc494.babyrose.yearnalism.LP.mock.C4.jpg?v=1778722567"},{"product_id":"yearnalism-t-shirt","title":"YEARNALISM T-Shirt","description":"\u003cp\u003eWith modern dating being reduced to app-swiping, toxic nonchalance and even balloon-popping humiliation, we’re losing recipes on how to properly yearn for each other. But while most try to keep their guards up, Baby Rose is staying devoted to what’s real. Fresh off winning her first GRAMMY Award in the Best R\u0026amp;B Album category for her part on Leon Thomas’ MUTT, the unmistakable contralto returns with Yearnalism, her third studio album steeped in confidence, care and liberating love.\u003c\/p\u003e\n\u003cp\u003eThe singer-songwriter-producer defines yearnalism as the process and documentation of desire in its many forms: “Desiring freedom, desiring love, desiring what you can't have, desiring\u003cbr\u003eexpansion.” This streamlined 12-song LP of soon-to-be classics creates a bumpy roadmap of\u003cbr\u003edesire free from ego. Rose notes that despite the current trend of “too cool” emotional avoidance in music and entertainment, she pushed herself and her collaborators to bare a different side of themselves. “If you're coming into my court, you're coming to yearn,” she declares with a laugh. \u003c\/p\u003e\n\u003cp\u003eThree albums in, Yearnalism is a sonic snapshot of Rose at her most self-assured. “This is me\u003cbr\u003ereally honing in and trusting that signature, catching lightning-in-a-bottle sound,” she says. “This is kind of a lesson in me really figuring out that my favorite process is being a part of the crew, being a part of this whole moment.”\u003c\/p\u003e\n\u003cp\u003eBaby Rose has been building up to this moment, brick by brick, for almost a decade. Raised between Washington D.C. and Fayetteville, N.C. on artists like Nina Simone, Donny Hathaway and Janis Joplin, the musician born Jasmine Rose Wilson has been a mainstay in alternative R\u0026amp;B since her 2019 debut, To Myself. That’s when the smoky resonance of her voice and a wise-beyond-her-years presence first stopped listeners in their tracks. Since then, she has held her own on records with Ari Lennox, Big K.R.I.T., Q, BADBADNOTGOOD and J. Cole. She closed out the end credits of Hollywood blockbuster Creed III and lent her talents to A24’s Materialists both onscreen and off by giving the film’s soundtrack two songs of aching texture and moonlighting as a wedding singer in a cameo. She’s graced stages with everyone from Robert Glasper to Vince Staples and made appearances in performance art at The Museum of Modern Art and ballets at Lincoln Center for the Performing Arts in arrangements by Misty Copeland’s choreographer, the legendary Kyle Abraham. Her industry admirers include heavyweights like SZA, Alicia Keys, Kendrick Lamar, J. Cole, H.E.R, Kehlani, James Blake and Olivia Dean. Plainly put, Rose’s name rings bells and her artistry speaks even higher volumes.\u003c\/p\u003e\n\u003cp\u003eGetting to the level of self-love that each track of Yearnalism exudes has been a journey for Rose and one that she plans to keep taking. Rose credits therapy for allowing her to call past bouts of anxiety and depression by their names, friends like SZA for introducing her to methods of breathwork and meditation and keeping God first for helping her stay grounded through her journey. With her continued study of Yearnalism, Rose reminds the listener that it’s worth it to say the hard parts out loud with honesty and to love in spite of fear.\u003c\/p\u003e","brand":"Baby Rose","offers":[{"title":"Small","offer_id":47632713318563,"sku":"SC494-T01-USM","price":30.0,"currency_code":"USD","in_stock":false},{"title":"Medium","offer_id":47632713351331,"sku":"SC494-T01-UMD","price":30.0,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":47632713384099,"sku":"SC494-T01-ULG","price":30.0,"currency_code":"USD","in_stock":false},{"title":"XL","offer_id":47632713416867,"sku":"SC494-T01-UXL","price":30.0,"currency_code":"USD","in_stock":false},{"title":"2XL","offer_id":47632713449635,"sku":"SC494-T01-U2XL","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc494.babyrose.yearnalism.tshirt.mock.jpg?v=1778722567"},{"product_id":"yearnalism-cd-fanpack","title":"YEARNALISM CD Fanpack","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eGold Vinyl is exclusive to Secretly Store!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYEARNALISM CD Fanpack includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-YEARNALISM \u003ca href=\"https:\/\/secretlystore.com\/products\/yearnalism\"\u003eCD \u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e- YEARNALISM \u003ca href=\"https:\/\/secretlystore.com\/products\/yearnalism-t-shirt\"\u003eT-Shirt\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe products for sale within this Fan Pack are also sold separately. View those products \u003ca href=\"https:\/\/secretlystore.com\/collections\/yearn\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith modern dating being reduced to app-swiping, toxic nonchalance and even balloon-popping humiliation, we’re losing recipes on how to properly yearn for each other. But while most try to keep their guards up, Baby Rose is staying devoted to what’s real. Fresh off winning her first GRAMMY Award in the Best R\u0026amp;B Album category for her part on Leon Thomas’ MUTT, the unmistakable contralto returns with Yearnalism, her third studio album steeped in confidence, care and liberating love.\u003c\/p\u003e\n\u003cp\u003eThe singer-songwriter-producer defines yearnalism as the process and documentation of desire in its many forms: “Desiring freedom, desiring love, desiring what you can't have, desiring\u003cbr\u003eexpansion.” This streamlined 12-song LP of soon-to-be classics creates a bumpy roadmap of\u003cbr\u003edesire free from ego. Rose notes that despite the current trend of “too cool” emotional avoidance in music and entertainment, she pushed herself and her collaborators to bare a different side of themselves. “If you're coming into my court, you're coming to yearn,” she declares with a laugh. \u003c\/p\u003e\n\u003cp\u003eThree albums in, Yearnalism is a sonic snapshot of Rose at her most self-assured. “This is me\u003cbr\u003ereally honing in and trusting that signature, catching lightning-in-a-bottle sound,” she says. “This is kind of a lesson in me really figuring out that my favorite process is being a part of the crew, being a part of this whole moment.”\u003c\/p\u003e\n\u003cp\u003eBaby Rose has been building up to this moment, brick by brick, for almost a decade. Raised between Washington D.C. and Fayetteville, N.C. on artists like Nina Simone, Donny Hathaway and Janis Joplin, the musician born Jasmine Rose Wilson has been a mainstay in alternative R\u0026amp;B since her 2019 debut, To Myself. That’s when the smoky resonance of her voice and a wise-beyond-her-years presence first stopped listeners in their tracks. Since then, she has held her own on records with Ari Lennox, Big K.R.I.T., Q, BADBADNOTGOOD and J. Cole. She closed out the end credits of Hollywood blockbuster Creed III and lent her talents to A24’s Materialists both onscreen and off by giving the film’s soundtrack two songs of aching texture and moonlighting as a wedding singer in a cameo. She’s graced stages with everyone from Robert Glasper to Vince Staples and made appearances in performance art at The Museum of Modern Art and ballets at Lincoln Center for the Performing Arts in arrangements by Misty Copeland’s choreographer, the legendary Kyle Abraham. Her industry admirers include heavyweights like SZA, Alicia Keys, Kendrick Lamar, J. Cole, H.E.R, Kehlani, James Blake and Olivia Dean. 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With her continued study of Yearnalism, Rose reminds the listener that it’s worth it to say the hard parts out loud with honesty and to love in spite of fear.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Baby Rose","offers":[{"title":"Small","offer_id":47632849862819,"sku":"SC494xbnd01-USM","price":38.99,"currency_code":"USD","in_stock":false},{"title":"Medium","offer_id":47632849895587,"sku":"SC494xbnd01-UMD","price":38.99,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":47632849928355,"sku":"SC494xbnd01-ULG","price":38.99,"currency_code":"USD","in_stock":false},{"title":"XL","offer_id":47632849961123,"sku":"SC494xbnd01-UXL","price":38.99,"currency_code":"USD","in_stock":false},{"title":"2XL","offer_id":47632849993891,"sku":"SC494xbnd01-U2XL","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc494.babyrose.yearnalism.CD.mock.bundle.jpg?v=1778722567"},{"product_id":"yearnalism-gold-vinyl-fanpack","title":"YEARNALISM Gold Vinyl Fanpack","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eGold Vinyl is exclusive to Secretly Store!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYEARNALISM CD Fanpack includes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-YEARNALISM \u003ca href=\"https:\/\/secretlystore.com\/products\/yearnalism\"\u003eGold Vinyl \u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e- YEARNALISM \u003ca href=\"https:\/\/secretlystore.com\/products\/yearnalism-t-shirt\"\u003eT-Shirt\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe products for sale within this Fan Pack are also sold separately. View those products \u003ca href=\"https:\/\/secretlystore.com\/collections\/yearn\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith modern dating being reduced to app-swiping, toxic nonchalance and even balloon-popping humiliation, we’re losing recipes on how to properly yearn for each other. But while most try to keep their guards up, Baby Rose is staying devoted to what’s real. Fresh off winning her first GRAMMY Award in the Best R\u0026amp;amp;B Album category for her part on Leon Thomas’ MUTT, the unmistakable contralto returns with Yearnalism, her third studio album steeped in confidence, care and liberating love.\u003c\/p\u003e\n\u003cp\u003eThe singer-songwriter-producer defines yearnalism as the process and documentation of desire in its many forms: “Desiring freedom, desiring love, desiring what you can't have, desiring\u003cbr\u003eexpansion.” This streamlined 12-song LP of soon-to-be classics creates a bumpy roadmap of\u003cbr\u003edesire free from ego. Rose notes that despite the current trend of “too cool” emotional avoidance in music and entertainment, she pushed herself and her collaborators to bare a different side of themselves. “If you're coming into my court, you're coming to yearn,” she declares with a laugh. \u003c\/p\u003e\n\u003cp\u003eThree albums in, Yearnalism is a sonic snapshot of Rose at her most self-assured. “This is me\u003cbr\u003ereally honing in and trusting that signature, catching lightning-in-a-bottle sound,” she says. “This is kind of a lesson in me really figuring out that my favorite process is being a part of the crew, being a part of this whole moment.”\u003c\/p\u003e\n\u003cp\u003eBaby Rose has been building up to this moment, brick by brick, for almost a decade. Raised between Washington D.C. and Fayetteville, N.C. on artists like Nina Simone, Donny Hathaway and Janis Joplin, the musician born Jasmine Rose Wilson has been a mainstay in alternative R\u0026amp;B since her 2019 debut, To Myself. That’s when the smoky resonance of her voice and a wise-beyond-her-years presence first stopped listeners in their tracks. Since then, she has held her own on records with Ari Lennox, Big K.R.I.T., Q, BADBADNOTGOOD and J. Cole. She closed out the end credits of Hollywood blockbuster Creed III and lent her talents to A24’s Materialists both onscreen and off by giving the film’s soundtrack two songs of aching texture and moonlighting as a wedding singer in a cameo. She’s graced stages with everyone from Robert Glasper to Vince Staples and made appearances in performance art at The Museum of Modern Art and ballets at Lincoln Center for the Performing Arts in arrangements by Misty Copeland’s choreographer, the legendary Kyle Abraham. Her industry admirers include heavyweights like SZA, Alicia Keys, Kendrick Lamar, J. Cole, H.E.R, Kehlani, James Blake and Olivia Dean. 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With her continued study of Yearnalism, Rose reminds the listener that it’s worth it to say the hard parts out loud with honesty and to love in spite of fear.\u003c\/p\u003e","brand":"Baby Rose","offers":[{"title":"Small","offer_id":47632855105699,"sku":"SC494xbnd02-USM","price":45.99,"currency_code":"USD","in_stock":false},{"title":"Medium","offer_id":47632855138467,"sku":"SC494xbnd02-UMD","price":45.99,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":47632855171235,"sku":"SC494xbnd02-ULG","price":45.99,"currency_code":"USD","in_stock":false},{"title":"XL","offer_id":47632855204003,"sku":"SC494xbnd02-UXL","price":45.99,"currency_code":"USD","in_stock":false},{"title":"2XL","offer_id":47632855236771,"sku":"SC494xbnd02-U2XL","price":45.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc494.babyrose.yearnalism.LP.mock.C2.bundle.jpg?v=1778722567"},{"product_id":"doc406lp-7","title":"Lost Boys 7\" Single","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eUK Exclusive. 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