{"title":"Society Free Gift","description":"","products":[{"product_id":"sentimental-noise-various","title":"Sentimental Noise","description":"\u003cem\u003e*All pre-orders of the LP or zine will receive one of two limited-run cassettes – Wold\/Fauchion’s ‘Dialect of Archons’ or Wilderness’s ‘Future Seats’ — while supplies last.*\u003c\/em\u003e\n\n\n\n\u003cem\u003eSentimental Noise, Issue #001 is equal parts oral history, poetry journal and black metal zine. Its 200 pages were created in collaboration with visual artist Nina Hartmann, and features poems from the likes of David Berman, Robert Creeley and Sharon Van Etten, as well as tribute pieces from Dead Oceans founder Phil Waldorf and Secretly Canadian founders Ben and Chris Swanson, plus troves of images, inside jokes, heartfelt love letters and more spanning Jagjaguwar’s past 25 years.\u003c\/em\u003e\n\n\n\nIn most any Dungeons \u0026amp; Dragons adventure worth completing, the hero must come face-to-face with herself in some form — a cursed, mystical mirror that reveals all that our hero is and is not; a reflection in some Blood River that displays for our hero the monster she has become; a doppelganger that reveals how much our hero has changed since the beginning of the adventure.\n\n\n\nSo, as XagXaguVar, our year-long 25th anniversary campaign enters its final chapter, Jagjaguwar must also confront our former self. We’re going all the way back to the basement of the sushi joint in Charlottesville; all the way back to when we were just a haphazardly made zine; all the way back to the original mantra which served at Jagjaguwar’s early guiding force. The Sentimental Noise echoing through the caverns of self-discovery is tender and deafening.\n\n\n\nWe’ve uncovered new and unreleased work from some of Jagjaguwar’s earliest friends like Drunk, Manishevitz and Bevel. We’ve called upon necromancers like Norway’s Jenny Hval, Jagjaguwar legends Wilderness and Bloomington post-rock heroes Tammar. Mysterious noise mongers like Canada’s Wold and Oslo’s Some Nerve have delivered on their promise to absolutely split our skulls open. There are two loving tributes to Patron Saint of Jagjaguwar John Prine. And we’ve unearthed two songs from Atsushi Miura, who once upon a time allowed our founder Darius Van Arman to book shows in the basement of the sushi restaurant he ran. He dedicates one song to Darius and in the other, humorously lambasts the college town he called home for all those years. \n\n\n\nAnd in a concerted effort to make Darius break down in tears of joy and appreciation, we’ve also worked closely with visual artist Nina Hartmann to create a companion book for Sentimental Noise. It’s part non-linear oral history; part poetry journal; part black metal zine; and part Ray Johnson correspondence art. Images, inside jokes and heartfelt love letters pulled from our rich, but far-from-over history. Today Jagjaguwar dies; tomorrow Jagjaguwar is reborn.","brand":"Various Artists","offers":[{"title":"LP metallic silver vinyl","offer_id":44536206426275,"sku":"JAG404lp-C1","price":29.99,"currency_code":"USD","in_stock":true},{"title":"Bundle","offer_id":44727634657443,"sku":"JAG404XBND01","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag404.sn.fclp-web.jpg?v=1753369687"},{"product_id":"whitney-spark-spotify-exclusive","title":"SPARK (Spotify Fans First Exclusive)","description":"\u003cp\u003e\u003cspan\u003eWhitney 'SPARK' out September 16th on Secretly Canadian, is available on limited edition Opaque Neon Green vinyl, exclusive to Spotify fans.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJulien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSo in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eListen closely, and you’ll notice frequent references to smoke and fire throughout SPARK, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. “We found a way to live while the world was burning\/Real life was caving in,” Julien sings almost merrily during “BACK THEN,” an anthem for finding out what’s on the other side of hardship.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how SPARK often feels—Whitney’s circumstances were so fraught on so many levels that they hung “the past…out to dry” and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they’re already building songs for the next Whitney album. They’re both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. SPARK is not only Whitney’s best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Whitney","offers":[{"title":"LP Opaque Neon Green Vinyl","offer_id":44536209703075,"sku":"SC437lp-c7","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc437.whitney.spark.lp.green.jpg?v=1715585102"},{"product_id":"the-garden-dream-gglum","title":"The Garden Dream","description":"\u003cp\u003eAt 21 years of age, Ella Smoker has gotten pretty good at decoding her dreams. Raised on everything from rockabilly and soul to MTV-era emo, the London-born songwriter knew that she was drawn to music that offered a sense of safety, a feeling of being held within the layers of detailed instrumentation. But when she tried to write herself, she wasn’t quite sure how to conjure this sense of comfort, to make music that could adequately deal with the issues bothering her subconsciousness at night.  \u003c\/p\u003e\n\n\u003cp\u003e“At the time I was 17, going out all the time, bunking school, always on the lash, feeling really rubbish about myself’, she says. “I think that's what helped with writing a song I liked for the first time — I just started being honest. It was basically just me pouring my misery into a song, and that's why I called myself gglum. At the time, I was just being all angsty teenager”.\u003c\/p\u003e\n\n\u003cp\u003eThat early expression of truth turned into 2020’s viral pandemic-era hit “Why Don’t I Care”, beginning the journey that would lead gglum to Secretly Canadian. Inspired by the likes of Alex G, Phil Elverum and Adrianne Lenker, gglum’s music positions Smoker as an artist who can wield atmospheric disturbance at her fingertips, crafting soundscapes that allow her to reconcile with a tumultuous coming-of-age. With flickers of electronica, dream pop and discordant garage-punk, her acoustic guitar becomes a sturdy ally, the base of a versatile, lo-fi sound that manages to feel simultaneously escapist and immersive. \u003c\/p\u003e\n\n\u003cp\u003e“I feel like I naturally gravitate towards wanting to make musical spaces that you can feel like you’re living in, rather than trying to make songs,” she says. “That's something I really wanted to solidify with this album: I basically want to make music that feels like when you're like looking out the window and it's the end of the film and you're imagining what comes next.” At a time when listeners crave lyrical resonance and sincerity more than ever before, Smoker’s main character is about to attract a serious degree of energy — and a few more dreams to unlock.\u003c\/p\u003e","brand":"gglum","offers":[{"title":"LP Opaque Turquoise Vinyl","offer_id":44536214323363,"sku":"SC477lp-C2","price":23.99,"currency_code":"USD","in_stock":false},{"title":"LP Black Vinyl LP","offer_id":44536214356131,"sku":"SC477lp","price":22.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":44536214388899,"sku":"SC477cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":44536214421667,"sku":"SC477cass","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc477.gglum.tgd.mockup.lp-c2-4df6a72e50edf49ec81d18c4687a92ef.jpg?v=1776689347"},{"product_id":"this-is-a-mindfulness-drill-hypnotic-brass-ensemble","title":"This is a Mindfulness Drill","description":"\u003cp\u003eSomewhere along the way, I got the idea that Richard Youngs’s ‘Sapphie’ was all about a dead dog. \u003c\/p\u003e\n\n\u003cp\u003eI don’t know if someone insinuated this idea in front of me or if I psychologically tethered the title to the tenderly printed dog paw on its cover, not to mention the raw and plaintive vocalizations of the three-song set. Either way, I’ve gone over a decade thinking this remarkable, windswept album of torch songs was about a dearly departed pet.\u003c\/p\u003e\n\n\u003cp\u003eAnd yet, as we approached a reissue of this Jagjaguwar classic and a new, reimagined version by artists Hypnotic Brass Ensemble, Moses Sumney, Sharon Van Etten and Perfume Genius, Richard Youngs was straightforward and unsentimental about its meanings — or lack thereof. “The lyrics are not about anything in particular,” Youngs wrote. And I had to just cackle at his note, the rest of which was much more interested in the technical and studio aspects of the recording. He wrote about how “Soon It Will Be Fire” is a first-take cut recorded on a SM57 mic for a Glasgow pirate radio station called Sub City, run by a man named John Hogarty.\u003c\/p\u003e\n\n\u003cp\u003e“We both sensed there was more to this project,\" Richard wrote plainly. \"So, next week, I went round John’s place again. Using the same approach, we recorded the remaining two tracks that would be ‘Sapphie.'\" That's that. Nothing mystical, nothing poetic. \u003c\/p\u003e\n\n\u003cp\u003eThe paw prints on the cover are, in fact, that of a friend’s dog (“The first dog I ever loved,” Richard said.), but there is no devastating loss at its center. He also attached a .jpg of his current pet: a happy, poodle-looking thing.\u003c\/p\u003e\n\n\u003cp\u003eAnd so, I want to tell Richard what this album has really meant to me and a great many friends, artists and fellow travelers over the years, dead dog or no. I want to tell him how it’s become a centering album for a great many of us, a transcendent and meditative piece of art, a place we go for a rare little bit of peace, or maybe even for a good, private, cleansing cry. I want to share with him this other record by Hypnotic Brass Ensemble called ‘Book of Sound’ that, in its own heavy way, hits the same nerve as 'Sapphie.' \u003c\/p\u003e\n\n\u003cp\u003eRichard should know that in a heroically stoned moment in 2018, two friends said to one another “Hypnotic Brass Ensemble should cover ‘Sapphie.’” And that Hypnotic Brass Ensemble just sweetly and immediately agreed to do it in a matter of one phone call. Nothing mystical, nothing poetic. And how, now, three years later, it’s all coming together on the occasion of Jagjaguwar’s 25th anniversary.\u003c\/p\u003e\n\n\u003cp\u003e“What does ‘the mindfulness drill’ have to do with it?” Richard asks dryly me in a note.\u003c\/p\u003e\n\n\u003cp\u003eIt’s about being relentlessly present, Richard. It’s how when we listen to your album, we feel like a lonely traveler in a foreign country. How everything has a newness to it and there’s no one to share it with but the you inside of you. And then, how maybe we all feel like that most of the time in our lives. Drawing shapes on water with our fingertips, watching those shapes ripple out into a stillness, wandering the halls of a quiet museum. How goddamn close mindfulness is to mindlessness when it’s all said and done. And that fine, fine line is where ‘Sapphie’ lives, Richard. Thank you for this, Richard. This is our resounding and heartfelt thank you for ‘Sapphie,’ don’t you see?\u003c\/p\u003e\n\n\u003cp\u003eAfter considering this heartfelt tribute, this miracle of an album, Richard replied: \"Reimagining anything is, well, unimaginable.\"\u003c\/p\u003e","brand":"Hypnotic Brass Ensemble with Moses Sumney, Sharon Van Etten and Perfume Genius","offers":[{"title":"LP opaque black \u0026 white explosion","offer_id":44536217338019,"sku":"JAG402lp-C1","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag402.jpg?v=1776689287"},{"product_id":"unknown-mortal-orchestra-v","title":"V","description":"\u003cp\u003eUnknown Mortal Orchestra 'V' \u003c\/p\u003e","brand":"Unknown Mortal Orchestra","offers":[{"title":"2xLP Rare Blue 2xLP Vinyl","offer_id":44536222679203,"sku":"JAG422lp-C2","price":32.99,"currency_code":"USD","in_stock":true},{"title":"2xLP Black Vinyl 2xLP","offer_id":44536222711971,"sku":"JAG422lp","price":9.99,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":44536222744739,"sku":"JAG422cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":44536222777507,"sku":"JAG422cass","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag422.umo.v.black.mock_6f2c1ad6-2b4a-4c2c-af96-3d6e96552d79.jpg?v=1776689170"},{"product_id":"unknown-mortal-orchestra-v-spotify-exclusive","title":"V (Spotify Fans First Exclusive)","description":"\u003cp\u003e\u003cspan\u003eUnknown Mortal Orchestra 'V' out March 17th on Jagjaguwar is available on limited edition purple orchid vinyl, exclusive to Spotify.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCreated by the Hawaiian-New Zealand artist Ruban Nielson and a cast of close collaborators (including his father and brother, Chris and Kody Nielson), V evokes blue skies, beachside cocktail bars, hotel pools and the darkness that lurks below perfect, pristine surfaces. Recorded between the dry freeways of Palm Springs, California and lush coastlines and Hilo, Hawai’I, it draws deeply from West Coast AOR, classic hits, weirdo pop and Hawaiian Hapa-haole music. V is the first double album in the storied Unknown Mortal Orchestra discography, and joins mid-career classics like Sonic Youth’s Daydream Nation, Pulp’s Different Class, and Prince’s 1999 as a breakthrough album that proves and expands the extent of the band’s creative power.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eV is about family, Nielson's interrogation of his earliest musical influences and the joy of having fun while making music. The result is a career-defining album that, song by song, recontextualizes and enriches the lifelong musical journey that has led Nielson to this watershed moment while making a case for itself as his masterpiece.\u003c\/span\u003e\u003c\/p\u003e","brand":"Unknown Mortal Orchestra","offers":[{"title":"2xLP Purple Vinyl","offer_id":44536222843043,"sku":"JAG422lp-C3","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag422.umo.v.orchid.mock.jpg?v=1776689169"},{"product_id":"sharon-van-etten-weve-been-going-about-this-all-wrong","title":"We've Been Going About This All Wrong","description":"\u003cem\u003eReleased on May 6th.\u003c\/em\u003e\n\n\n\nSharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We’ve Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can’t, or we don’t, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life’s changes can be both terrifying and transformative. We’ve Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages.\n\n \n\nWe’ve Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them.\n\n \n\nSince the release of Remind Me Tomorrow, Van Etten has collaborated with artists ranging from Courtney Barnett and Joshua Homme to Norah Jones and Angel Olsen.  Earlier releases were covered by artists like Fiona Apple, Lucinda Williams, Big Red Machine and Idles, celebrating Sharon as a legendary songwriter from the very beginning. When the time came to return to her solo work, Van Etten reclaimed the reins, writing and producing the album in her new recording studio, custom built in her family’s Californian home. The more she faced – whether in new dangers emerging or old traumas resurfacing – the more tightly she held onto these songs and recordings, determined to work through grief by reasserting her power and staying squarely at the wheel of her next album. In fact, that interplay of loss and growth became a blueprint for what would become We’ve Been Going About This All Wrong. The artwork reflects that, too, inspired as much by Van Etten’s old life as her new one. “I wanted to convey that in an image with me walking away from it all” says Van Etten, “not necessarily brave, not necessarily sad, not necessarily happy…”\n\n \n\nWe’ve Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can’t control, and what it means to be human in a world that is wracked by so much trauma. The track “Home To Me,” written about Van Etten’s son, uses the trademark “dark drums” of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, “Come Back” reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to “come back” to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, “Born” is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. \n\n \n\nThroughout, and as always, we are at the mercy of Van Etten’s voice: the way it loops and arcs, the startling and emotive warmth of it. What started as a certain magic in Van Etten’s early recordings has grown into confidence, clarity and wisdom, even as she sings with the vulnerable beauty that has become her trademark. Nowhere is that truer than on “Mistakes,” where Van Etten creates a defiant anthem to the mistakes we make, and to everything we gain from them.   \n\n\n\nUnlike Van Etten’s previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We’ve Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten’s uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish.","brand":"Sharon Van Etten","offers":[{"title":"LP Exclusive Orange Cornetto vinyl","offer_id":44536225923235,"sku":"JAG395lp-C2","price":26.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl LP","offer_id":44536225890467,"sku":"JAG395lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"LP Exclusive Picture Disc","offer_id":44536225956003,"sku":"JAG395pic","price":26.99,"currency_code":"USD","in_stock":true},{"title":"LP Exclusive Ghostly Vinyl","offer_id":44733333110947,"sku":"JAG395LP-C4","price":12.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":44536225857699,"sku":"JAG395cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":44536225988771,"sku":"JAG395cass","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag395.sve.wbgataw.lp.mock.c2.jpg?v=1773244316"},{"product_id":"yeah-yeah-yeahs-cool-it-down","title":"Cool It Down","description":"\u003cp\u003e\u003cem\u003eCover photography by Alex Prager, interior photography by David Black, art by Julian gross.\u003cbr\u003eVinyl features gatefold LP with lyric and photo booklet.\u003cbr\u003eCD features four-panel wallet with 20-page lyric and photo book.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt could only be called alchemy, the transformative magic that happens during the Yeah Yeah Yeahs’ most tuned-in moments in the studio, when their unique chemistry sparks opens a portal, and out comes a song like “Maps” or “Zero” or the latest addition to their canon, “Spitting off the Edge of the World” — an epic shot-to-the-heart of pure YYYs beauty and power. “It’s really awe-inspiring to watch the process of Karen’s melodies and lyrics just coming to her, right there,” says guitarist Nick Zinner. “Like, ‘what the fuck, where did that come from?’ When it strikes her, it’s the most incredible thing.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The look on Nick's face when that happens,” Karen O says, with a laugh, “it’s primo, man. I know I’m onto something because I can tell it's hitting him somewhere in his soul. We've been doing this together so long, and there are moments when the song comes from God-knows-where, and it feels like there’s a change in the air quality, in the atmosphere, like when it’s about to thunderstorm.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA thunderstorm of a return is what the legendary trio has in store for us in 2022, with the release of Cool It Down, their first new music since 2013’s Mosquito. Their fifth studio album is an eight-track collection, and an expert distillation of their best gifts that impels you to move, and cry, and listen closely and is bound to be a landmark in their catalog.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThey never expected it to be so long between albums, and they certainly had stayed busy: There was a tour for their 2003 debut album, Fever to Tell that was re-issued in 2017; Karen released an album with Danger Mouse (Lux Prima, 2019) and co-composed the score for the animated film Where Is Anne Frank?; Nick made an album with his hardcore side-project Head Wound City, scored Films, and collaborated with artists including Phoebe Bridgers, Amen Dunes and Songhoy Blues, Brian started his own label Chaiken Records. Karen and drummer Brian Chase both became parents in recent years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe band had even begun talking about new music back in early 2020, but then the world stopped. “I was having dreams, as I’m sure many people were during the early part of the pandemic and lockdown, of places I’d been,” Karen says. “Dreams of cities we’ve toured in the last twenty years together, whether it’s Byron Bay or Paris morphed with Mexico — my brain was taking me to all these places. And I felt, for the first time, ‘what if we don’t get to do it again?’ That thought had never crossed my mind before and I really felt it profoundly during the pandemic: I realized I’d taken for granted that we’ll always be able to go out on the road and play shows, that we’ll always be able to make more music when we want to. And having gone through the collective trauma of what we experienced, I really wanted to get in a room together and jam, and see what our subconscious was going to unleash after all that time.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShe and Nick got together in spring of 2021 to give it a try. “We started playing music and it just came flooding out of us,” Karen remembers. Their longtime collaborator Dave Sitek (“basically a fourth member of the Yeah Yeah Yeahs, at this point”) had shared some tracks he’d set aside, including the framework for “Spitting Off The Edge of The World,” and Karen connected with it right away. “When I heard the opening line, it felt like a waterfall,” she says. “[David] Bowie came to mind immediately. Sitek was actually friends with Bowie, and it felt like he was tuning into that frequency of artistry. And so when I was writing the lyrics and the melody, that’s who I was trying to tune into, as well. Because I’ve never tried to evoke Bowie before. But he’s gone now, and there’s a big, gaping hole.” And when she imagined another voice joining hers on the tune, the idea to invite Perfume Genius’s Mike Hadreas felt obvious. “Mike really has a bit of Bowie in him,” she says. “He was literally the first and only person that came to mind for it.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePerfume Genius also co-stars alongside Karen in the visual for “Spitting,” as an avenging angel limo driver to her desert rebel queen. The visual was directed by another longtime YYY’s collaborator, Cody Critcheloe (aka Ssion), who designed the artwork for Fever To Tell and also directed Perfume Genius’s amazing “Queen” video.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKaren explains that the lyrics for “Spitting…” reflect on the state of the environment, and the need for honesty about the damage we’re doing to the Earth. “We’re all experiencing this climate crisis through a system which is broken and not really addressing it,” she says. On “Spitting…,” she reframes the topic as a personal conversation with her son about the world he’s inheriting. “I see the younger generations staring down this threat, and they’re standing on the edge of a precipice, confronting what’s coming with anger and defiance,” she says. “It’s galvanizing, and there’s hope there.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Yeah Yeah Yeahs","offers":[{"title":"CD","offer_id":44673906671779,"sku":"SC470cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl LP","offer_id":44673906704547,"sku":"SC470lp","price":26.99,"currency_code":"USD","in_stock":false},{"title":"LP Exclusive Twister Vinyl","offer_id":44673906737315,"sku":"SC470lp-C2","price":28.99,"currency_code":"USD","in_stock":true},{"title":"LP Exclusive Striped Color Vinyl","offer_id":44673906770083,"sku":"SC470lp-C3","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc470-artwork.jpg?v=1715585092"},{"product_id":"angel-olsen-big-time","title":"Big Time","description":"\u003cp\u003e\u003cspan\u003eEvery CD and LP copy of Big Time ordered directly from the Secretly Store or label stores includes an additional charge to offset the carbon emissions of each piece. Jagjaguwar, in partnership with Terra Lumina Consulting, calculated emissions and costs to achieve a carbon negative product for “cradle-to-grave” use of each physical piece: from the mining of materials, to pressing and shipping, to the electricity consumed by your stereo at home, to end of life disposal. Carbon offsets will be purchased through Native, supporting the Medford Spring Grassland project.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReleased on 3rd June\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003eFresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary we know these states to be, the vulnerability and transformation they demand can overpower the strongest among us. Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen’s Big Time were forged in such a whiplash.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBig Time is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen’s process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she’d been avoiding for some time. “Finally, at the ripe age of 34, I was free to be me,” she said. Three days later, her father died and shortly after her mother passed away. The shards of this grief—the shortening of her chance to finally be seen more fully by her parents—are scattered throughout the album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThree weeks after her mother’s funeral she was on a plane to Los Angeles to spend a month in Topanga Canyon, recording this incredibly wise and tender new album. Loss has long been a subject of Olsen’s elegiac songs, but few can write elegies with quite the reckless energy as she. If that bursting-at-the-seams, running downhill energy has come to seem intractable to her work, this album proves Olsen is now writing from a more rooted place of clarity. She’s working with an elastic, expansive mastery of her voice—both sonically and artistically. These are songs not just about transformational mourning, but of finding freedom and joy in the privations as they come.\u003c\/span\u003e\u003c\/p\u003e","brand":"Angel Olsen","offers":[{"title":"CD Carbon-Negative Edition CD","offer_id":44673905426595,"sku":"JAG424cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"2xLP Carbon-Negative Edition Black LP","offer_id":44673905459363,"sku":"JAG424lp","price":30.99,"currency_code":"USD","in_stock":true},{"title":"2xLP Carbon-Negative Limited Green LP","offer_id":44673905492131,"sku":"JAG424lp-C2","price":32.99,"currency_code":"USD","in_stock":true},{"title":"Cassette Solid White Cassette","offer_id":44673905524899,"sku":"JAG424cass","price":9.99,"currency_code":"USD","in_stock":true},{"title":"2xLP Carbon-Negative Blue\/Pink 2xLP","offer_id":45814676521123,"sku":"JAG424lp-C3","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag424.ao.bigtime.lp.mock.black-_2.jpg?v=1755100658"},{"product_id":"every-bad-porridge-radio","title":"Every Bad","description":"\u003cp\u003e\u003cspan\u003ePorridge Radio grew out of Dana Margolin’s bedroom, where she started making music in private. Living in the seaside town of Brighton, she recorded songs and slowly started playing them at open mic nights to rooms of old men who stared at her quietly as she screamed in their faces.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough she eventually grew out of them, for Margolin these open mic nights unlocked a love of performing and songwriting, as well as a new way to express herself. She decided to form a band through which to channel it all, and be noisier while she was at it – so Porridge Radio was born.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInspired by interpersonal relationships, her environment – in particular the sea – and her growing friendships with her new bandmates (bassist Maddie Ryall, keyboardist Georgie Stott, and drummer Sam Yardley) Margolin’s distinctive, indie-pop-but-make-it-existentialist style soon started to crystallise. Quickly, the band self-released a load of demos and a garden-shed-recorded collection on Memorials of Distinction, while tireless touring cemented their firm reputation as one of UK DIY’s most beloved and compelling live bands. Now, they are taking that development a step further, as they put out their label debut, Every Bad.\u003c\/span\u003e\u003c\/p\u003e","brand":"Porridge Radio","offers":[{"title":"2xLP Deluxe Blue Dream Splash Vinyl","offer_id":44673909129379,"sku":"SC393dlx-C1","price":27.99,"currency_code":"USD","in_stock":false},{"title":"LP Black Vinyl","offer_id":44673908801699,"sku":"SC393lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":44673908736163,"sku":"SC393cd","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc393.porride.lp.black-2.jpg?v=1776688987"},{"product_id":"whitney-spark","title":"SPARK","description":"\u003cp\u003e\n\u003cem\u003eExclusive Opaque Orange Vinyl comes with Signed Print, while supplies last.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eJulien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? \u003cbr\u003e\u003cbr\u003eSo in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.\u003cbr\u003e\u003cbr\u003eSPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now. \u003cbr\u003e\u003cbr\u003eListen closely, and you’ll notice frequent references to smoke and fire throughout SPARK, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. “We found a way to live while the world was burning\/Real life was caving in,” Julien sings almost merrily during “BACK THEN,” an anthem for finding out what’s on the other side of hardship. \u003cbr\u003e\u003cbr\u003eIn these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how SPARK often feels—Whitney’s circumstances were so fraught on so many levels that they hung “the past…out to dry” and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they’re already building songs for the next Whitney album. They’re both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. SPARK is not only Whitney’s best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.\u003c\/p\u003e","brand":"Whitney","offers":[{"title":"LP Exclusive Opaque Orange Vinyl","offer_id":44673921089699,"sku":"SC437lp-C3","price":25.99,"currency_code":"USD","in_stock":true},{"title":"LP Milky White Vinyl","offer_id":46680189173923,"sku":"SC437lp-C1","price":14.99,"currency_code":"USD","in_stock":true},{"title":"LP Japanese Crystal Clear Vinyl","offer_id":44674108883107,"sku":"SC437JLP","price":28.99,"currency_code":"USD","in_stock":false},{"title":"LP Exclusive Black\/White Quad Vinyl","offer_id":44674108915875,"sku":"SC437lp-C2","price":26.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl LP","offer_id":44673921056931,"sku":"SC437lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":44673921024163,"sku":"SC437cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Cassette Clear Cassette","offer_id":44673921122467,"sku":"SC437cass","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc437.whitney.spark.LP.white.jpg?v=1776688866"},{"product_id":"porridge-radio-waterslide-diving-board-ladder-to-the-sky","title":"Waterslide, Diving Board, Ladder To The Sky","description":"\u003cp\u003e\u003cspan\u003ePorridge Radio are one of the most vital new voices in alternative music, having gone from being darlings of the DIY underground to one of the UK’s most thrilling bands in the space of less than a year. Their barbed wit, lacerating intensity and potent blend of art-rock, indie-pop and post-punk sounds like little else around, and led their 2020 album Every Bad to make the nominees list for the coveted Mercury Music Prize.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor frontperson Dana Margolin, drummer Sam Yardley, keyboardist Georgie Stott and bassist Maddie Ryall – who met in the seaside town of Brighton and formed Porridge Radio in 2014 – global recognition has been a long time coming, after years of self-releasing and music booking their own tours. In those eight years, Dana has gained a reputation as one of the most magnetic band leaders around with an ability to “devastate you with an emotional hurricane, then blindside you with a moment of bittersweet humour” (NME).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBut if Every Bad established Dana’s lemon-sharp, heart-on-sleeve honesty, Porridge Radio’s third album takes that to anthemic new heights. Waterslide, Diving Board, Ladder To The Sky is the sound of someone in their late twenties facing down the disappointment of love, and life, and figuring out how to exist in the world, without claiming any answers. It’s also catchy as hell.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe title – which was partly inspired by a collage by the British surrealist Eileen Agar – speaks to the “joy, fear and endlessness” of the past few years. Dana’s songwriting and delivery is more confident, with the emotional incisiveness of artists like Mitski, Sharon Van Etten and Big Thief. Though it’s softer and more playful in places than Every Bad’s blowtorch ferocity, there are moments of powerful catharsis, ones that occur when you allow the full intensity of an experience to take hold.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn places, that no-holds-barred rawness is on a par with bands like Deftones (their panoramic metal is a key touchstone of Waterslide, Diving Board, Ladder To The Sky) or American emo, elevated by Yardley’s ambitious instrumentals. “I kept saying that I wanted everything to be 'stadium-epic' - like Coldplay,” says Dana.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith Waterslide, Diving Board, Ladder To The Sky, Porridge Radio have distilled their myriad influences down like they’re flipping through their own singular dial: dreamy yet intense, gentle but razor-edged, widescreen and yet totally intimate. People tell Dana that Every Bad got them through their cancer diagnosis, their break-up, their isolated lockdown. But with their new album, the band are taking a step up and spring-boarding into a bright, exciting unknown.\u003c\/span\u003e\u003c\/p\u003e","brand":"Porridge Radio","offers":[{"title":"CD","offer_id":44673925775523,"sku":"SC450cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl LP","offer_id":44673926070435,"sku":"SC450lp","price":22.99,"currency_code":"USD","in_stock":true},{"title":"LP Exclusive Highlighter Yellow Tra","offer_id":44673926103203,"sku":"SC450lp-C2","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc450-cd.jpg?v=1776688807"},{"product_id":"porridge-radio-clouds-in-the-sky","title":"Clouds In The Sky They Will Always Be There For Me","description":"\u003cp\u003e\u003cspan\u003eWhen Porridge Radio formed in 2014 - a decade ago - being in a band was the very last thing that London-born Dana Margolin expected to do. Studying anthropology at the University of Sussex, Dana began performing her songs on her own at local open mic nights, before assembling a full band - taking in Georgie Stott on keyboards and backing vocals, Sam Yardley on drums and keyboards, and former bassist Maddie Ryall (who departed in 2023, replaced by Dan Hutchins). Their debut album - Rice, Pasta and Other Fillers (2016) was followed by Every Bad (2020), which was shortlisted for the Mercury Prize and acclaimed by The Guardian as “uncompromisingly brilliant.” Later, Waterslide, Diving Board, Ladder to the Sky (2022) became their first UK Top 40 Album Chart success.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter 2022 - by some distance the band’s busiest year of live shows to date - had finally calmed, the suddenly quiet beginning of 2023 was a decisive moment for Dana. “I got home having been so sad and so tired for so long, and running from that sadness using work and exhaustion to the point of distraction, and then suddenly I wasn’t on tour all the time,” she remembers, “I was just sitting in my room.” This became a period of reflection for the songwriter who had not stopped for the best part of a decade, and had knotty questions about identity, creativity and family to unpack. “I come from a family of workaholics,” smiles Dana, “it’s that, and it’s art, it’s not just work. It’s my whole life.” Dana wanted to work out a way forward - how do you retain creativity, without harming yourself in the process?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen Joni Mitchell was once asked about writer’s block, she argued in favour of a creative “crop rotation” to keep going. That means, when you fall out of love with one thing, work on another and your creativity will find a way to heal itself. Dana Margolin began creating in new and different ways to bring herself back from the emotional experience of what was obviously a bad case of burnout.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs well as the painting that has been a crucial part of her creative life throughout her career (Dana has painted or directed the artwork for every Porridge Radio album), she composed the soundtrack for a BBC Radio 4 show with her bandmate Sam Yardley. She completed a solo UK tour playing new songs on her own just like in the old open mic days. She started a Substack, writing assuredly at length on anything from books that she has read, art shows she has attended or the general need to bear witness to the world around you. And, importantly, she began thinking more about poetry. Sure, Dana had always written poetry, but had filed it away as something different from her Porridge Radio craft. “There were things I was doing in songwriting,” says Dana, “that I felt I could become better at.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou can hear some of this in tracks like Anybody - the startlingly frank opening track about “all the millions of ways I pushed myself out of shape to try to be a nice and sweet girl in order to be loveable” - and the storming and cathartic God Of Everything Else, the most explicitly break-up song on the album where Dana writes about spending “a year wishing I was somebody else.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the same time, a short-lived but intense relationship ended across 2023. “By the time I had recovered from the burnout,” says Dana, “we broke up.” The relationship and subsequent heartbreak fed into the genesis of the songs that would make up Clouds.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“A lot of this album is about a more frenetic and desperate kind of love,” says Dana, “it is about completely losing my sense of self in one relationship, and the deep residue of insecurity and pain that lingered and clouded a new relationship.” Older songs that were written as love songs - like In A Dream I’m A Painting - took on new meanings as Margolin viewed the songs with a new distance. “There was a lot of love and confusion, all interspersed with exhaustion and pain.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Clouds sessions took place in Frome as Winter melted into early Spring at the beginning of 2024. “There were a few breakdowns,” grins Dana, in a fair assessment of recording such intimate and personal songs, “after some takes I would just collapse on the floor, so upset.”An environment was fostered where Dana could express herself and be nurtured, and the band worked more closely than ever on sculpting the album. “We would have these big communal meals every night,” she says, “it felt very close knit and caring and warm and special.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Our little house looked over a big hill,” remembers Dana, “there was a river running through it, it was big and bright and beautiful.” The studio itself was bright - full of beaming natural light from the large windows, a blessing for musicians used to the sealed tomb world of most recording studios, and for once the band were all able to record in the same room as the producer. Recording live necessitated the whole band becoming intimately involved in the creation of the album, it was all hands on deck. “We were a live band anyway, we’ve always been known as a band who do something very particular and very emotionally intense live, and Dom (Monks) knew how to get that feeling across.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMonks brought a widescreen expanse and pin-drop intimacy familiar to listeners of his work with Big Thief to the sessions. Dana says that Monks became someone she “trusted more than anyone else who has ever come into the project from outside.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing that, the band were invited to debut the material at a special performance at Paris’ prestigious Centre Pompidou. “Visually, that was very much a collaboration with Ella and Ellie,” says Dana of the show she put together with her filmmaker sister Ella Margolin and set designer Ellie Wintour, “I had this idea of the album being a puppet show, but they took it to a new level.” The songwriter had seen the puppet work of the American mid-century sculptor Alexander Calder at New York’s Whitney museum, “I had watched his short film where he creates a circus out of puppets. It’s so funny and it’s so ludicrous and also very serious and beautiful and poetic.” That contrast began to feel very herself, very Porridge Radio. “There are joyful ways to portray something that’s also deeply sad and vulnerable.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eToday, Dana reflects on Clouds In The Sky They Will Always Be There For Me with the enthusiasm of a real creative breakthrough. “It feels like the first time we’ve made something,” she explains, “it captured something about our friendship as a band and the way that we have learnt to play together. I love the songs, I love playing them, they haven’t gotten old to me and it feels like it’s a very singular thing.” A pause. “It’s taught me so much. Following your gut to the nth point, trusting your friends and their loyalty, trusting yourself to be able to fight with people properly and still come back together. How I want to live is how I want to make records, because making records is my life because my work is my play is my job is my life. It all ties together in this thing, and there are ways to do this that might not kill me.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClouds In The Sky They Will Always Be There For You is released by Secretly Canadian on 18th October, 2024\u003c\/span\u003e\u003c\/p\u003e","brand":"Porridge Radio","offers":[{"title":"LP (marbled grey vinyl)","offer_id":45553404772515,"sku":"SC483lp-C2","price":24.99,"currency_code":"USD","in_stock":true},{"title":"LP (Black LP )","offer_id":45553404838051,"sku":"SC483lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":45553404805283,"sku":"SC483cd","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sc483.porridgeradio.theclouds.c2.marbledgrey-716db1e2354a72f95f00a9140a380a14.jpg?v=1737971247"}],"url":"https:\/\/secretlystore.com\/collections\/society-free-gift.oembed","provider":"Secretly Store","version":"1.0","type":"link"}