{"title":"jagjaguwar","description":null,"products":[{"product_id":"wish-you-were-here","title":"Wish You Were Here...","description":"\u003ch2\u003eWish You Were Here Release Details\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eConsisting of five tracks the EP marks the the first time They Hate Change has used outside production featuring collaborations from Wu-Lu, 96Back, and DJ Orange Julius, as well as Odd Future\/NRK’s Vritra, a foundational influence on Change, all of whom they met on their global travels. The EP is an incredibly concise and masterful display of their rap skills and ear for production, building on their sonic omnivore aesthetic bringing together an amalgamation of musical influence. Today you can listen to “Wallabies \u0026amp; Weejuns” produced by Manchester’s 96Back, a track that brings a kaleidoscope of dance, R\u0026amp;B and hip hop production viewed through thrilling tempo changes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe duo note of the EP:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOur first year of touring consisted of 7 tours, multiple weeklong stints in single cities, a gang of festivals, and about 2 months total (non consecutive) spent at home in Florida. Along with this time period came a bunch of interviews, photo shoots, sessions, new friends, impeccable dinners, decent breakfasts (big up Greggs), as well as literal hundreds of missed calls, texts, DMs and emails, as we traveled across the water and back three times over. No manager to hold down our inbox, no tour manager to book our flights and hotels (if we had a hotel!), no front of house sound tech traveling with us to soundcheck before the show, nobody to set up and sell our merch for us after the show, and nobody to tell us how to get to the next city safely. Just us. These are some of the songs we made with our old and new friends in the middle of all this.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDre and Vonne first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listened to music differently from most people—they’re sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they’ve been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that “encyclopedic” barely begins to cover it—not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast’s twerkably raunchy answer to house) and crank (think “Miami bass meets NOLA bounce”) that Vonne grew up on, but also drum ‘n’ bass, Chicago footwork, post-punk, prog, grime, krautrock, emo, and basically any genre on the map.\u003c\/span\u003e\u003c\/p\u003e","brand":"They Hate Change","offers":[{"title":"Cassette","offer_id":44527298019491,"sku":"JAG462cass","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Bundle LP + Cassette Bundle","offer_id":44536227692707,"sku":"JAG462xbnd01","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag462.thc.wishyouwerehere.mock.cass-428225e6fbf72d00448670a133668ae4.jpg?v=1776690666"},{"product_id":"jagjaguwar-dilate-your-heart-tote","title":"\"Dilate Your Heart\" Tote","description":"\u003cp\u003eJagjaguwar \"Dilate Your Heart\" tote printed on natural canvas with red art. 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Yet for all of its humanistic touchpoints, Keep Me on Your Mind\/See You Free was forged from a kind of unexplainable magic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWritten over five months in 2023, this third album began when the band’s core trio–Anaïs Mitchell, Eric D. Johnson, and Josh Kaufman–convened in an Irish pub alongside beloved collaborators JT Bates (drums), Cameron Ralston (bass), and recording engineer Bella Blasko. Mitchell suggested the pub as their first recording location, based on her one conversation with owner Joe O’Leary. She had a feeling about the place, and was surprised by her bandmates’ enthusiasm for the idea. Stepping inside the pub’s aged confines, the trio felt an immediate connection to its palpable sense of community, and of family, forged over many decades.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe pub was Levis (pronounced: “leh-viss”) Corner House, a century-old watering hole in Ballydehob, a tiny coastal village in County Cork, and its energy became a singular source of Bonny Light Horseman’s creative engine. The pub’s upright piano, which they lubricated with olive oil to quiet its creaking, became a sort of spiritual fulcrum, a single entity that embodied all of the album’s motifs: imperfection as a badge of honor; aging, endurance and the passage of time; how the simplest of acts can heal us. The analogs–between this century-old meeting place of local folk and this trio of American folkies–were undeniable. \"It has this sense of history; it’s also small, and crammed with a bunch of stuff that’s spilling all over the place,” says Kaufman. “It was like the pub version of our band.\" A painting that hung on a wall of the pub, which watched over the band during their time working, became the album cover. “I was making eye contact with that person for most of the recording,” Johnson said of the artwork. And there was a deeper connection. Before the band had even planned to record in the pub, the owner’s wife had named the woman in the painting Bonnie.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s magic in a place like Levis Corner House, yes, but it takes the right wizards to wield it. At the center of Bonny Light Horseman is, always, the singular combination of three powerful and tender artists–artists who expertly dodge superlatives but are quick to acknowledge the ways they strengthen and enrich one another, and the bond that makes each one better, braver and more vulnerable than they’d be on their own. Nowhere is this more apparent than in the force of their voices together, which work with complete trust in one another through the gentlest moments and the most ruthless wails. The result can comfort and cradle listeners, but also leaves them rattled, wrecked, and reborn.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn a practical level, the “blessed mess” of Keep Me on Your Mind\/See You Free shows up in its fidelity to this home, as crowd noise, laughter, coughing, and field recordings (“Think of the royalties, lads!”) convey everything from this special place in time. But philosophically, the “mess” is evidence of something deeper. It’s the imperfect, soul-nourishing fruit born of a singular communal experience, one that transforms its participants through the spirit of good company. Mitchell posits the idea of a “feast” and how dinners with friends effortlessly span courses, conversations, and hours — a meal that’s nutritious on physical and spiritual levels. “I have a friend who says you should never remove the dishes from the table, that you should sit among the wreckage,” she offers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“There was this new level of letting it all hang out,” Mitchell said of the album’s making. In its evolution from recording to release, this meant compiling a double LP—eighteen songs across two discs. It also meant two titles, if not precisely two distinct records. Keep Me on Your Mind\/See You Free is sprawling and welcoming, and encompasses the group’s captivating artistic layers: its roots in the sounds and lyrical spirit of traditional folk music, its branches in a more experimental and emotionally raw version of the band.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe group tracked about half of the songs in the main room of Levis’s. They spent two days working alone. On the evening of the third, O’Leary invited some enthusiastic residents to join in. That’s not to say it’s a live album; instead, the third day of the Ireland sessions represented a serendipitous blend of energies because the audience implicitly understood the assignment. Patrons gave the band enough space to talk about arrangements and record multiple versions of songs, but they also provided an evident sense of environmental joy as they chatted over pints with friends and family. “We were doing this in the middle of their spot and they intuitively understood what was required of them,” Johnson said. “It was pretty magic.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe band then returned to their spiritual home, upstate New York’s Dreamland Recording Studios (where they completed their first two albums), to finish the work they had started. Frequent collaborator Mike Lewis joined on bass and tenor saxophone. Annie Nero stopped by to play upright bass and sing some harmonies for an afternoon. The days were rhapsodic and restorative, filled with crying, and songs that poured out like tears.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe poignant quandary at the center of “I Know You Know” revealed itself in mere minutes. The trio attributes the speed to the fact that they’d already finished much of Keep Me on Your Mind\/See You Free and were able to “stand on the shoulders” of that creativity. It’s also demonstrative of the band’s ability to lace emotional devastation with a pop sensibility, which they’ve achieved throughout the album. Its feel-good, mandolin-laced arrangement and anthemic chorus belie how its refrain will wreck you. “I’m a fool if I love you and a fool if I let you go,” Johnson sings as Mitchell’s voice soars alongside him.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Tumblin Down” is similar in its melodic tribulation. A folk-rock portrayal of an unraveling relationship, it’s like the spirit of Ingmar Bergman’s “Scenes From a Marriage” set to song—light on its surface but woven from existential crisis. “When I Was Younger,” meanwhile, is a primal scream, revolutionary for its open reckoning with motherhood, maturation and all of the things polite society doesn’t say out loud. In the song, Mitchell and Johnson’s honeyed voices meet and transform into a two-headed beast formed from pent-up emotion; its roar is necessary, beautiful, and scary.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Old Dutch” originated as a voice memo recorded in a historical church of the same name in Kaufman’s home city. “It was timestamped ‘Old Dutch’ and that was too perfect; it sounded like a Bonny Light Horseman song,” he said. Its choral refrain echoes those origins; it also punctuates the band’s tale of shifting love with that alluring thing the heart is inevitably steered by—a lingering, often illogical, feeling.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith Keep Me on Your Mind\/See You Free, Bonny Light Horseman offers a distinct sense of grace, and a reminder that life is most lived when things aren’t so perfect. Over the years, the band has accumulated many miles on the collective odometer of life. That’s all reflected here, in these modern folk songs, laced with glory and chaos. As Mitchell puts it: “It’s not concise. It’s not simple. 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And one might even note that Rick Alverson’s voice has a defeated Tom Petty lilt heretofore unchecked. The Richmond band sound careful, creaky and lean to be sure. But the decades have allowed this old sad bastard a warming amber glow. The black hole radio play at the end of the stunning opener “Collarbone” seems to predict the coming of ‘Yankee Hotel Foxtrot.’ And here in the curious present, strummers like “Germany Skies,\" “Gideon’s Trumpet” and “Gizmo\" could be slotted in right alongside the indie-country boom of today. The odd waltz of accordion and violin on cuts like “Indeliberate Matrimony” and “Coming Home” sound — dare I say again — like ‘The Lonesome Jubilee’-era Mellencamp at the bottom of a barrel of hooch. Alverson’s lyricism drifts betwixt the hopeful nihilism of fellow VA-songwriter\/poet of the era David Berman and the profound post-beat minimalism of Robert Creeley. I swear, when he sighs “I feel willy-nill\/I pissed upon your window sill” on the high-n-lonesome harmonica-forward “Window Sill” it sounds damn-near romantic in the Lendermanian sense of the word. Yes, it’s reassessment time, friends. And what an auspicious time to reassess! As part of Jagjaguwar’s 30th anniversary, we are pressing ‘A Derby Spiritual,’ Jag’s second-ever release, on vinyl for the first time. A three-decade wrong at long last made right. In fact, we’re putting a handful of those early Charlottesville era of Jagjaguwar releases on wax as part of the label’s 30th anniversary celebration. 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Oneida is known for long-form improvisatory performances and collaborations; this release serves as a concentrated blast from a wholly unique band known for 12-hour live, improvised performances and multi-day recording sessions.\u003c\/p\u003e","brand":"Oneida","offers":[{"title":"LP","offer_id":44536149639331,"sku":"JAG235lp","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/a-list-of-the-burning-mountains-jagjaguwar-jag235.jpg?v=1776690619"},{"product_id":"absolute-ii-oneida","title":"Absolute II","description":"\u003cp\u003eAbsolute II is the final piece in Oneida's Thank Your Parents triptych of releases, begun in 2008 with Preteen Weaponry and followed by 2009's acclaimed triple disc Rated O.  With this release, the Brooklyn group concludes a challenging and profound long-term project. 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Somehow, they all make it through the How Long Gauntlet relatively unscathed. It’s a rather tastey light roast that’ll warm your heart's cockles. Available exclusively on 2xCD via Jagjaguwar and How Long Gone’s D2C (that’s direct to consumer, not “down to clown”).\u003c\/p\u003e","brand":"How Long Gone","offers":[{"title":"2xCD","offer_id":44536150327459,"sku":"JAG420cd","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/cd.jpg?v=1764067142"},{"product_id":"aguita-gabriel-garzon-montano","title":"Agüita","description":"\u003cp\u003eOn Gabriel Garzón-Montano’s new record, there are:\u003c\/p\u003e\n\u003cp\u003eNo outside producers.\u003c\/p\u003e\n\u003cp\u003eNo ghostwriters.\u003c\/p\u003e\n\u003cp\u003eNo gimmicks.\u003c\/p\u003e\n\u003cp\u003eNo games.\u003c\/p\u003e\n\u003cp\u003eNadie más.\u003c\/p\u003e\n\u003cp\u003eJust Gabriel.\u003c\/p\u003e\n\u003cp\u003eThis will come as no surprise to those who’ve followed GGM since 2014’s Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music’s most iconic artists. His follow-up LP, 2017’s Jardin, melded classical and folkloric instruments with rnb, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. Agüita, his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads – a prismatic self-portrait, personal and universal all at once. The artist is present, and he is in final form.\u003c\/p\u003e\n\u003cp\u003eGarzón-Montano’s ability to execute a wide range of musical styles is his secret weapon – and so it is no wonder he bristles at the prospect of settling into any one genre. “Genre has never been a consideration,” he says. “The idea of genre uses fear of failure as a baseline. Genre puts the music in a box. This album is anti-genre. Anti-fear. Anti-box.” What remains is an ultra-personal journey through the three separate characters that constitute GGM’s personality: the debonair leading man, the wistful impressionist, and the Latino Urbano hitmaker.\u003c\/p\u003e\n\u003cp\u003eThe magic of Agüita lives in Gabriel’s ability to consolidate a range of truths into a focused, crystallized idea. “Bloom,” “Blue Dot,” and “Fields” compare the growth and loss inherent in human life with the changing of the seasons and the life cycles of the universe; on “Fields,” Garzón-Montano evokes the despondent whimper of Thom Yorke. There are mirrors of the same themes in compositions like “With a Smile,” “Tombs,” “Someone,” and “Moonless,” a quartet of songs that explore the births and deaths of the relationships we have with the people we love; on “Moonless,” Gabriel explores for the first time his struggle with the grief of his mother’s passing: “Mama died \/ and I was moonless in a Stygian tide...trying to hide the ripening tumor \/ breathing fire, love but a rumour \/ There’s a woman in my sky \/ 17 when I learned to cry…” It is to his immense credit as a songwriter that we are left with an understanding of the depth of his loss, despite having never experienced it. Equally impactful are the trap and reggaeton cuts – the album’s energetic high points. On “Agüita,” “Mira My Look,” and “Muñeca,” GGM delves into club-banger territory, performing in Spanish for the first time on record.\u003c\/p\u003e\n\u003cp\u003eWhether you’re here for the medium, or for the message, for the man himself, or one of his characters, Agüita stands as the strongest installment thus far in a series of alarmingly sincere, sensationally profound works, from an artist who has sought not only to challenge established preconceptions and categories, but to expose their ultimate unworthiness. From composition to execution, the product distills the essence of Gabriel Garzón-Montano’s genius, an uninterrupted creative process rare in this age of fattened album credits.\u003c\/p\u003e","brand":"Gabriel Garzón-Montano","offers":[{"title":"CD","offer_id":44536150589603,"sku":"JAG368cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"LP Coke Bottle Clear Vinyl","offer_id":44536150622371,"sku":"JAG368lp-C2","price":25.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl","offer_id":45831860945059,"sku":"JAG368lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"SM Shirt Everybody.World","offer_id":44536150655139,"sku":"JAG368-T01-USM","price":39.99,"currency_code":"USD","in_stock":true},{"title":"MD Shirt Everybody.World","offer_id":44536150687907,"sku":"JAG368-T01-UMD","price":39.99,"currency_code":"USD","in_stock":true},{"title":"LG Shirt Everybody.World","offer_id":44536150720675,"sku":"JAG368-T01-ULG","price":39.99,"currency_code":"USD","in_stock":true},{"title":"XL Shirt Everybody.World","offer_id":44536150753443,"sku":"JAG368-T01-UXL","price":39.99,"currency_code":"USD","in_stock":true},{"title":"Bundle Bundle w\/ SM Shirt","offer_id":44536150786211,"sku":"JAG368xbnd01-USM","price":49.99,"currency_code":"USD","in_stock":false},{"title":"Bundle Bundle w\/ MD Shirt","offer_id":44536150818979,"sku":"JAG368xbnd01-UMD","price":49.99,"currency_code":"USD","in_stock":false},{"title":"Bundle Bundle w\/ LG Shirt","offer_id":44536150851747,"sku":"JAG368xbnd01-ULG","price":49.99,"currency_code":"USD","in_stock":false},{"title":"Bundle Bundle w\/ XL Shirt","offer_id":44536150884515,"sku":"JAG368xbnd01-UXL","price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag368.ggmaguita.lp.cbclear.jpg?v=1776690566"},{"product_id":"airs-of-the-ear-richard-youngs","title":"Airs of the Ear","description":"\u003cp\u003eRichard Youngs' impressive body of work continues to mount. It resembles, unwittingly for sure, a slow zig zag march towards some Hegelian musical ideal in the distant horizon. Youngs, the leading wizard of droney and minimal psychedelic folk, has unleashed Airs of the Ear, his new opus invoking new magic looking for new ears to ensnare. Building on his esteemed recordings Advent (1990), Sapphie (1998), Making Paper (2001) and May (2002), Airs of the Ear goes beyond merely residing in what is the essential ecology of Richard Youngs - the spiritual nexus between the oft disparate realms of traditional folk and the avant-garde; it now embodies this ecology. Acoustic instruments coexist perfectly with electric ones, while neither class of instrumentation is ever trumped by the other contraptions on the record, namely ring modulation, the square wave or the theremin. Perfect balance is almost achieved. There is harmony, true emotional resonance, even on what is Youngs' most captivating work on the record, \"Fire Horse Rising\". Despite the ever-escalating nature of this song, where Youngs powerfully and repeatedly invokes \"...and I don't understand, ...and I don't want to know...\", the listener is never allowed to feel overwhelmed or be pushed out of that special meditative and trance-like space. The spell is never broken. English born and bred, but residing in Glasgow, Scotland (where Airs of the Ear was recorded), Richard Youngs has remained busy over the last two years. In addition to his recent Jagjaguwar offerings, Youngs has remained a very active collaborator (releasing albums with Makoto Kawabata of Acid Mothers Temple, Simon Wickham-Smith, Neil Campbell, Sunroof!, Vibracathedral Orchestra, as well as being featured on the latest Damon \u0026amp; Naomi live album Song to the Siren on the bonus DVD).\u003c\/p\u003e","brand":"Richard Youngs","offers":[{"title":"CD","offer_id":44536150950051,"sku":"JAG059","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/airs-of-the-ear-jagjaguwar-jag059.jpg?v=1776690566"},{"product_id":"aisles-angel-olsen","title":"Aisles","description":"\u003cp\u003eWhile spending time trying to conquer the audio of live-stream at-home performances, I got better acquainted with my friend Adam McDaniel, a local engineer and producer in Asheville, NC. Adam and I had known each other for years. When the band was a bit smaller I would often rent his studio, Drop of Sun, for pre-recording \/ pre tour rehearsals.\u003c\/p\u003e\n\n\u003cp\u003eSummer 2020 was tough for many reasons. But Adam and his wife Emily opened their home to me and made it a safe space to create and let go. I told Adam I had an idea to record some covers and bring some of the band into the mix, or add other players. I wanted to record 80’s songs that I’d overheard walking the aisles at the grocery store, and I needed to laugh and have fun and be a little less serious about the recording process in general. I thought about completely changing some of the songs and turning them inside out. \u003c\/p\u003e\n\n\u003cp\u003eOne that came to mind was \"Gloria\", by Laura Branigan. I’d heard Gloria for the first time at a family Christmas gathering and I was amazed at all the aunts who got up to dance. I imagined them all dancing and laughing in slow motion, and that’s when I got the idea to slow the entire song down and try it out in this way.\u003c\/p\u003e\n\n\u003cp\u003e\"Safety Dance\" by Men Without Hats was a song that I was trying to do something similar with. I felt that it could be reinterpreted to be about this time of quarantine and the fear of being around anyone or having too much fun. It made me wonder, is it safe to laugh or dance or be free of it all for just a moment?\u003c\/p\u003e\n\n\u003cp\u003eRight after we recorded these two, we were commissioned to cover \"Eyes Without A Face\" by Billy Idol for a film due to come out later this year.\u003c\/p\u003e\n\n\u003cp\u003eI didn’t really connect to the rap part in the middle so we went for more of a tripped out instrumental instead.\u003c\/p\u003e\n\n\u003cp\u003e\"Forever Young\" by Alphaville and \"If You Leave\" by O.M.D. were the two outliers. I really wanted to keep these close to the originals, but with a slightly different spin.\u003c\/p\u003e\n\n\u003cp\u003eMost of these covers were tracked in the winter of last year. I’d come over to find Adam had set up 5 or so synthesizers, and we’d get lost on a part for a while messing with some obscure pedal I knew nothing about. We’d spend a good amount of time going through sounds before finding one or two, sometimes we’d get real weird and decide to just go with it. \u003c\/p\u003e\n\n\u003cp\u003eI know it’s not really in my history to do something unintentional or just for the hell of it but my connection to these songs is pretty straightforward, I just wanted to have a little fun and be a little more spontaneous, and I think I needed to remember that I could!\u003c\/p\u003e\n\n\u003cp\u003e– Angel Olsen\u003c\/p\u003e","brand":"Angel Olsen","offers":[{"title":"12\" black vinyl","offer_id":44536150982819,"sku":"JAG412lp","price":16.99,"currency_code":"USD","in_stock":true},{"title":"12\" frosted blue vinyl","offer_id":44536151015587,"sku":"JAG412lp-C1","price":17.99,"currency_code":"USD","in_stock":true},{"title":"Cassette blue tint","offer_id":44536151048355,"sku":"JAG412cass","price":7.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag412.ao.aisles.preorder.blk-web.jpg?v=1776690566"},{"product_id":"alien-sunset-cut-worms","title":"Alien Sunset","description":"\u003cp\u003eCut worms is a command; if you say so - got a knife?\u003c\/p\u003e\n\n\u003cp\u003eCut worms is a crime scene; my god, who would do such a thing? 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Expecting little more than a few constructive comments regarding his 8-track fidelity, he was surprised by the positive reactions to his antique sound, classic voice, and Everly Brothers style close harmonies.\u003c\/p\u003e\n\n\u003cp\u003e\tEach song on “Alien Sunset” has a sturdy, four-legged American quality, but also contains a gentleness and sense of stolen privacy. The arrangements are both dense and airy, decadent without sacrificing an ounce of effervescence. For sure, something about “Alien Sunset” looks back over time’s shoulder, but it isn’t really “retro” music - it just glitters in a way you don’t often hear these days.\u003c\/p\u003e\n\n\u003cp\u003e\tIf this collection can be said to have any sort through-line, a whiff of motif, it revolves around the obvious delight Max takes in singing his heart out, despite variegated agony. The lyrical work moves from simple, diary-like musings, self-consciousness on the dance floor and general lust problems, to illuminated text. 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Instant downloads of \"The Money Gets Bigger\" and \"High Beams\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Digital download code for the album (as a .zip file containing 320kbps mp3s) redeemable on release day\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrevor Sensor. Biography.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt’s Trevor Sensor’s voice you notice first. A deep bubbling black tar pit of a sound, it is a voice with a weight of history behind it and whose unique timbre resonates far beyond the constraints of the songwriting format. It is the sound of sap oozing from a tree trunk, plumes of smoke spiralling from a forge, broken glass crunching on gravel under a solitary street-light. It’s a voice that demands the listener reaches for a new vocabulary.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe twenty-three year old’s debut album Andy Warhol’s Dream is part of a literate folk lineage that runs from Woody Guthrie and Bob Dylan through Tom Waits and onto the likes of Bon Iver, Bright Eyes and Sufjan Stevens today. It stretches into the pioneers of jazz - Louis Armstrong and Dizzy Gillespie are cited as influences too. It’s an unflinching honest album with a timeless quality, transcendent in its exploration of self and sonically a collision between the classic and the forward-thinking.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSensor was born and raised Sterling, Illinois, a city (in name only) that was founded when one Hezekiah Brink built the first log cabin there in 1834. Situated a hundred long miles west of Chicago and two hundred miles east of Des Moines, today it has a population of fifteen thousand and is formerly known as ‘The Hardware Capital of the World’. Formerly. Retail and consumption is its main business now, and it is world of Walmarts and car parks, pizza joints and banks. Surrounding it on all sides is mile upon mile of flat farmland that is typical of the Midwest town. With its still-functioning drive-in (est. 1950) and conservative leanings, Sterling is a post-industrial place as American as the proverbial apple pie.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSterling birthed Trevor Sensor. It shaped him too. For an artist whose work is intensely autobiographical, this matters. As a child he played several instruments including the euphonium, was on the very fringes of the small local hardcore punk scene, was to be found with “the crowd starting bonfires in backyards and getting high”, went through a fleeting phase of emulating Cobain\/Corgan in various school bands – almost a prerequisite musical rites de passage for a guitarist today – before becoming disillusioned with the lack of ambition in his band mates. Instead he ditched music for a life of academia at university in Pella, Iowa.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere Sensor majored in English Literature and Philosophy and cites a range of diverse writers including Søren Kierkegaard, Marcel Proust, Henry Miller and Dave Eggars as key influences (not to mention the cinematic output of David Lynch and Woody Allen), all artists whose unifying factor is that they are keen documenters of themselves and their times. And this is what Sensor excels at too, debut album Andy Warhol’s Dream is an authentic artefact of time and place – here, now - that could be only be made by a twenty-three year old going out into the wider world and reporting back on his findings. In doing so he has created his own self-contained world of sound. “My only ambition at that point was to do my degree, go to grad school, write novels and poetry and quietly retreat into the library for the rest of my life, “ he laughs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBy then Sensor had stockpiled over seventy songs, which friends persuaded him to perform with the promise of beer and pretty girls. A gig at local bar in 2015 lead him to receiving call from the manager, telling him to come back the next day to meet Dave Keuning, Pella-native and guitarist with The Killers. He was given a guitar and told to start playing. “Dave was heckling throughout: ‘You’ve got to ditch college and move to Vegas, man!’” Trevor remembers. “I’m not one to get starstruck, so I was just thinking ‘Well, that’s easy for you to say...’” The Killers contact however lead to a manager, various showcases, a trip to the UK and, ultimately a deal with Jagjaguwar (Bon Iver, Dinosaur Jr, Angel Olsen, Unknown Mortal Orchestra).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTrevor Sensor's debut EP for the label ‘Texas Girls and Jesus Christ’, was written on a borrowed acoustic guitar that he has yet to return, and took him out into the world. 2016 saw him tour Europe, including a clutch of well-received UK summer festival appearances (Green Man, Wilderness etc), before hitting the road in the US for tours with Foy Vance and The Staves. A budding barfly observing all passing life, much of his British sojourn was spent marvelling at the joys of British pubs and a culture of all-day drinking.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd now he delivers debut Andy Warhol’s Dream. Recorded to tape at Steve Albini’s Electrical Audio studio in Chicago, it was produced by both Jonathan Rado of Foxygen ( producer of The Lemon Twigs, Whitney) and songwriter\/producer Richard Swift (Damien Jurado, Foxygen). His backing band featured Max Kakacek, Julian Ehrlich and Malcolm Brown of Secretly Canadian signings Whitney.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album’s title refers to Warhol’s prophesy of a world in thrall to twin false idols of fame and celebrity. “His ‘15 minutes of fame’ prediction is clearly visible today” he explains. “I’m only really referencing Warhol as a vehicle for the ultimate representation of celebrity culture because of his repeated Marilyn Monroe or Elvis paintings or whatever. But now we’re in a post-God society that is finding new golden calves to worship, that is moving beyond that.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘Stolen Boots’ finds Sensor wandering alien European streets, encountering drag-queens and gin-drinkers while ‘In Hollywood, Everyone Is Plastic’ chronicles one more Midwest soul lost in the pit of sin before the dreams in ‘Starborne Eyes’ of retreating deep into the mountains forever. ‘On Your Side’ meanwhile is an anthem that is nothing less than a soothing balm for these turbulent times.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWise beyond his years, Sensor also remarks upon the facile nature of a banal 21st century entertainment world that registers success only by social media peer approval: “I’ve grown up in a devalued music culture where the artist is increasingly a slave to the populace,” he sighs. “But at the same time my generation is very informed about the past. So the challenge here is to make the art for myself and people like me and hope that it is original and lasting.” He also speaks of a generation raised post-9\/11 and Iraq, one born of high divorce rates, media overloads and internet anxiety who’s coping strategy is to retreat into emotional suppression.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYet on these eleven songs Sensor goes the other way: he doesn’t so much wear his heart on his sleeve as fling it out in the darkness of the front rows that sit beyond the glare of the single blinding spotlight. This is the sound of one man’s soul laid bare, facing life head on. It is an attempt to makes sense of a senseless world and all its many dizzying, dazzling flavours.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBen Myers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFebruary 2017\u003c\/span\u003e\u003c\/p\u003e","brand":"Trevor Sensor","offers":[{"title":"CD","offer_id":44536152981667,"sku":"JAG283cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"LP Silver Vinyl","offer_id":44536153112739,"sku":"JAG283lp-C1","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag283-380.jpg?v=1715584677"},{"product_id":"anthem-of-the-moon-oneida","title":"Anthem of the Moon","description":"\u003cp\u003eANTHEM OF THE MOON -- recorded in the stones by Oneida. Mixing and additional recording by Peter Katis at Tarquin Studios. There's an awful lot of \"psychedelic\" music around these days, mostly of the gentle, sprightly, cosmic nature. It has seemed to Oneida for the past couple years that the world has forgotten a huge part of the critical essence of the psychedelic experience: anxiety, dislocation, alienation and half-formed terror. With ANTHEM OF THE MOON, they're out to remind the world why psychedelia matters. Over the course of thirteen months, Oneida made repeated journeys to an array of Colonial-era ruins in the woods of western New England, where they had set up a small mobile recording unit in the midst of the stones. They recorded each of these trips, ending up with a massive trove of tape reels, from which the bulk of this album was distilled. Sounds of the stones and the night woods saturate the recorded music (including the ghostly screech of a barred owl on \"Almagest\"), literally and emotionally; the naked, anxious exhaustion, ecstasy, and paranoia that the listener hears are the real thing. 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Now, the result is Are We There, a self-produced album of exceptional intimacy, sublime generosity, and immense breadth. Most musicians are quite happy to leave the production end of things to someone else. It's enough to live your music without taking on the role of producer as well. Yet Van Etten knew it was time to make a record entirely on her terms. The saying goes \"fortune favors the bold\" and yet this boldness had to be tempered. For this, Van Etten found a kindred spirit in veteran music producer Stewart Lerman. Originally working together on Boardwalk Empire, they gently moved into new roles, rallying around the idea of making a record together in Lerman's studio in New Jersey. Lerman's studio expertise gave Van Etten the freedom to make Are We There the way she imagined. Van Etten also enlisted the individual talents of her band, consisting of Heather Woods Broderick, Doug Keith and Zeke Hutchins, and brought in friends Dave Hartley and Adam Granduciel from The War on Drugs, Jonathan Meiberg (Shearwater), Jana Hunter (Lower Dens), Peter Broderick, Mackenzie Scott (Torres), Stuart Bogie, Jacob C. Morris and Mickey Freeze.  It is clear from the opening chords in the first song, Afraid of Nothing, that we are witnessing a new awareness, a sign of Van Etten in full stride, writing, producing and performing from a place that seems almost mythical, were it not so touchable and real. Always direct, and never shying away even from the most personally painful narratives, Van Ettten's songwriting continues to evolve. Many of the songs deal with seemingly impossible decisions, anticipation, and then resolution. She sings of the nature of desire, memory, of being lost, emptiness, of promises and loyalty, fear and change, of healing and the true self, violence and sanctuary, waiting, of silence. The artist who speaks in such a voice is urging us to do something, to take hold and to go deeper. Living in this way, the questions of life remain alive, as close and steady as breathing. Many of the ballads of old are as dark as pitch, and people for whom the issues of life and death were as vivid as flame wrote them. You could turn off the electricity, remove all the instruments and Sharon's voice and words would remain. 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In a voice both mellifluous and haunting, Sumney makes future music that transmogrifies classic tropes, like moon-colony choir reinterpretations of old jazz gems. His vocals narrate a personal journey through universal loneliness atop otherworldly compositional backdrops.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFollowing the self-release of his debut cassette EP, Mid-City Island, and 2015's 7\", Seeds\/Pleas, Sumney has performed around the world alongside forebears like David Byrne, Karen O, Sufjan Stevens, Solange, James Blake and more. With his 2016 Lamentations EP, The California and Ghana-raised troubadour widened the spectrum of his heretofore \"bedroom\" music, incorporating songs that feature more elaborate production and evocative songwriting. Now his inspired ascent continues.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHis proper debut album, Aromanticism is a concept album about lovelessness as a sonic dreamscape. 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The simplest form of trickery comes from Richard Youngs' restrained use of an acoustic guitar, bringing it back to Youngs basics. Twenty-six seconds into \"I Need the Light\", the first track off the album, the listener is confronted with the pivotal element of the record, the drawing line between the hardcore Youngs purists and fairweather fans: the track, like others on the record, features Youngs' double-tracked voice splitting in two - as one overlaid performance veers away from the other. This gesture warrants such a title \"King of the Progressive Minimalists\" - which is often used beside his name by critics - as the confident inclusion of such an effect grants it legitimacy. Youngs' voices slipping away from one another is on par with other intense representations of singularity such as Donald Judd and Malevich's Suprematist Composition: White on White. Pop is a gesture, a stance, a pose. 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His other bands to date have included a straight out punk outfit, a crusty punk\/metal band, and, most recently, a psych-tinged maximal rock group whose self-titled debut record, Black Mountain, captured a great amount of critical acclaim (and meteorically became Jagjaguwar's best-selling title.) With Axis of Evol, Pink Mountaintops' second full-length record, Mcbean has once again created something much greater than the sum of his influences. Axis of Evol begins with a forboding spiritual. It then almost immediately ramps up into a thumping, buzzing, blissful haze, at various parts sounding like the Velvet Underground or Spacemen 3 or the Jesus and Mary Chain circa Psycho Candy, and then ends with a hypnotic, Smog-like meditation. Throughout the record, Mcbean sings about love and war, the love of war, and the war of love-on the body, on the mind and on the soul. 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The record is warmly anchored in the members' creative familiarity with one another. 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Beautiful Losers: Singles and Compilation Tracks 1994-1999 collects all such compilation appearances and the few singles made during these years, including the perennial favorite \"One for the Catholic Girls\" and \"Burn Rubber\", recently covered by Bright Eyes. This was such a prolific period for Joyner that he usually contributed his best songs of the moment to whoever requested a track, instead of reserving them for his proper albums. You'll find here varying degrees of sound quality and various approaches to songs, from solo acoustic to full band, but what ties the collection together is the strength of the material. This isn't filler. The same themes that haunt his large scale work are explored here: death, love, the politics of time. Fans of Joyner's albums can now stop searching for the impossible to find cassettes and out of print 7\" records.We've compiled everything here, even the songs Simon would rather forget. 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The faded image offers clues and invites viewers to construct their own narrative, one that escapes even the picture's taker, Kolenik's father.  To put it simply, Best Blues is an album about loss, the specific loss of precious people in our lives, but also the loss of memories and the difficult fight to preserve them. \"I spent months trying to scan all these images \u0026amp; letters, most covered with ocean dirt, and in doing so discovered what people often find in their family's past: that they are a hell of a lot like those who'd come before,\" says Kolenik. The chorus of standout \"Boys Life\" echoes this sentiment with the refrain \"pictures of youth\/picturing you,\" over a track that itself was an old demo re-discovered by accident by the band, during a late night jam session at a cabin in Upstate NY. The compassion of the record collects itself in the soft repeating mantra-esque hook in \"No One Wants It To Happen To You\". The group's third full length release, written \u0026amp; recorded at their Brooklyn home studio, nicknamed 222, showcases a band still evolving, and embracing the unpredictable. Kolenik (keys, vocals), Ryan Heyner (guitar, keys, vocals), Juan Pieczanski (bass, guitar) and Jeff Curtin (drums) have been recording, writing, and often living together, throughout the life of the band, establishing a closeness that has allowed them to achieve easy creativity and unspoken chemistry. After a year of recording, that band enlisted mixer Nicholas Vernhes (War on Drugs, Deerhunter) of Rare Book Room Studio to help complete the record. Best Blues finds the band in their sweet spot: the smoky intersection of considered \u0026amp; vulnerable songwriting and loose, almost nonchalant ambience. The addition of piano flourishes, trumpet (Darby Cicci of The Antlers), hidden acoustic guitars and Kaede Ford's ethereal vocals provide new dimensions to the band's already expansive sonic palette. Cut-to-the-chase rippers \"Back at Belle's\" \u0026amp; \"Checkpoints\" embody \u0026amp; build on the group's signature gritty yet focused electronic sound. While the more pastoral tracks, such as \"Between Leos,\" \u0026amp; \"XX Century,\" skeletally based on recorded improvisations, find the band painting a more nuanced, assured aural portrait. 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Ever the modest master, Youngs said in accepting this friendly challenge that he merely endeavored to capture the \"beats and hooks\" of contemporary pop. We present the results here as Beyond The Valley Of Ultrahits. Among bright, hypnotic loops, Youngs' voice finds its inner Bowie. But let it be known: this collection of house-inspired gems displays much more than a capacity for pop emulation. It's a confirmation of Youngs' craft and prowess, no matter the terrain. With enviable grace, experimental minimalist Youngs sets his sights on the pop world and claims it as his own. Youngs' heretofore unknown love of Pet Shop Boys and the Madchester sound is reimagined via his unique avant sensibility and atmospheric wand strokes. Originally released in 2009 as a very-limited CD-R on Paine's Sonic Oyster label, Jagjaguwar is honored to present Beyond the Valley of Ultrahits, remastered and on vinyl for the first time.\u003c\/p\u003e","brand":"Richard Youngs","offers":[{"title":"LP","offer_id":44536156356771,"sku":"JAG177","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/beyond-the-valley-of-ultrahits-jagjaguwar-jag177.jpg?v=1776690498"},{"product_id":"big-red-machine-big-red-machine","title":"Big Red Machine","description":"\u003cp\u003eIn 2008, Aaron sent Justin an instrumental sketch of a song called “Big Red Machine” for Dark Was The Night. This was before they had met in person. Justin wrote a song to it, interpreting the Big Red Machine title as a heart. 10 years of friendship later, there are 10 more songs. Big Red Machine. Each song includes a large number of collaborators via the PEOPLE platform and the record was produced by Justin and Aaron with longtime collaborator Brad Cook and engineered by Jonathan Low primarily at Aaron’s studio Long Pond in Upper Hudson Valley, NY.\u003c\/p\u003e","brand":"Big Red Machine","offers":[{"title":"CD","offer_id":44536156618915,"sku":"JAG335cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl","offer_id":44536156651683,"sku":"JAG335lp","price":25.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":44536156684451,"sku":"JAG335cass","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag335_ssthumb.jpg?v=1776690498"},{"product_id":"jagjaguwar-black-logo-shirt","title":"Black Logo Shirt","description":"\u003cp\u003eJagjaguwar Logo printed on American Apparel 100% cotton T-shirts.\u003c\/p\u003e","brand":"Jagjaguwar","offers":[{"title":"T-Shirt X-SMALL","offer_id":44715695145123,"sku":"JAG-T01-BLK-UXS","price":12.99,"currency_code":"USD","in_stock":true},{"title":"T-Shirt Small","offer_id":44536156881059,"sku":"JAG-T01-BLK-USM","price":12.99,"currency_code":"USD","in_stock":true},{"title":"T-Shirt MEDIUM","offer_id":44715695210659,"sku":"JAG-T01-BLK-UM","price":12.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt LARGE","offer_id":44715695177891,"sku":"JAG-T01-BLK-UL","price":12.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt XL","offer_id":44715695112355,"sku":"JAG-T01-BLK-UXL","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag-t01-blk_380.jpg?v=1776690497"},{"product_id":"black-mountain-black-mountain","title":"Black Mountain","description":"\u003cp\u003eBlack Mountain, the front-line soldiers for the Black Mountain Army, an arts collective from Vancouver, British Columbia, write, perform and record music that speaks (and sings) to this realization: that solutions are rarely simple, that the world is as complex as it is ambiguous, and that music sprinkled with an inoculating dose of madness may well be the Pied Piper that takes us all back into the primordial mountain, where our hearts can be made steady and our minds can be set free. Their debut self-titled record, like a space probe built of erector set parts and transmitting secret and arcane messages to earth by string, charts territories unknown yet remains grounded by the roots of classic rock and roll. It is easy to discern these roots: Black Sabbath, Animals-era Pink Floyd, Blue Cheer, Led Zeppelin and Can. Principal songwriter Stephen McBean's vocals are a smoother, bluesier amalgam of the voices of Neil Young, Mick Jagger and perhaps a James Brown loaded on cough syrup. And when Amber Webber's voice joins Stephen's, the combination brings to mind the potency and chemistry of Richard and Linda Thompson singing together on Shoot Out The Lights, or of Meat Loaf and Ellen Foley howling together on Bat Out Of Hell. Musical comparisons aside, the Black Mountain full-length is one part protest song, one part pop-cultural commentary, and one part sick-groove-rock casserole peppered with mesmerizing ballads and intoxicating ditties. \"Modern Music\" is the lead-off hitter and counts its way to the imposing and riff-rife \"Don't Run Our Hearts Around\". Immediately thereafter, the sludge-rock masterpiece \"Druganaut\" establishes the fecund heart and tone of the record. Black Mountain have also just recently released a 12-inch single (on Jagjaguwar), including an extended mix of \"Druganaut\" on the A-side. And the band's currently sexploitative counterpart The Pink Mountaintops, a band that also pipes into the prolific well-spring of Stephen McBean's mind, released their self-titled debut record (on Jagjaguwar as well) this past summer. A video by Heather Trawick of the song \"Druganaut\" is included on the CD version of the Black Mountain self-titled record.\u003c\/p\u003e","brand":"Black Mountain","offers":[{"title":"CD","offer_id":44536156979363,"sku":"JAG070cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl LP","offer_id":44536157012131,"sku":"JAG070lp","price":21.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":44536157044899,"sku":"JAG070cass","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/black-mountain-jagjaguwar-jag070.jpg?v=1776690497"},{"product_id":"black-mountain-10th-anniversary-deluxe-edition-limited-grey-vinyl-black-mountain","title":"Black Mountain (10th Anniversary Deluxe Edition)","description":"\u003cp\u003eAvailable in limited edition Grey Vinyl. Black Mountain's self-titled debut album is a new classic rock, with reference points arcane and clear, its sound fresh, unfamiliar and irresistible. Savor the compact, spacey brilliance of this cosmic, heavy and subtle album, expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives.\u003c\/p\u003e","brand":"Black Mountain","offers":[{"title":"2xLP (Grey Vinyl)","offer_id":44536157143203,"sku":"JAG270lp-C1","price":25.99,"currency_code":"USD","in_stock":false},{"title":"2xLP","offer_id":46040051220643,"sku":"JAG270lp","price":22.99,"currency_code":"USD","in_stock":false},{"title":"2xCD","offer_id":46040051253411,"sku":"JAG270cd","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/black-mountain-10th-anniversary-deluxe-edition-limited-grey-vinyl-jagjaguwar-jag270lp-c1.jpg?v=1776690496"},{"product_id":"black-sheep-boy-10th-anniversary-edition-okkervil-river","title":"Black Sheep Boy (10th Anniversary Edition)","description":"\u003cp\u003eIn celebration of the ten-year anniversary of this iconic album, Jagjaguwar is proud to present the Black Sheep Boy 10th Anniversary Edition, a three-LP set combining the classic Black Sheep Boy album and its counterpart the Black Sheep Boy Appendix with an all new unreleased album entitled There Swims a Swan: full-band recordings made six months prior to the release of Black Sheep Boy which illuminate the album's roots in the traditional American songbook. Featuring beautiful, emotional readings of songs popularized by such artists as Washington Phillips, Lead Belly, the Louvin Brothers, and Roscoe Holcomb, There Swims a Swan takes the listener on a trip through the songs that inspired Sheff while composing Black Sheep Boy and reads like a run-through of that album's themes. Black Sheep Boy is celebrated for its album artwork as well as its music, and the Anniversary Edition collects that artwork in a meticulously reworked package, combining every previous element of William Schaff's imagery with a large new piece by Schaff depicting an updated Black Sheep Boy. The release also includes lengthy liner notes by Will Sheff walking the listener through the circumstances surrounding the album.  For Okkervil River fans (the most high-profile of whom was recently revealed to be President Barack Obama, who included \"Down Down the Deep River\" on his 2015 summer playlist), the Anniversary Edition is a loving, comprehensive, richly expanded presentation of a record many consider to be one of the band's best. For those new to the band, this might be the best place to start, the first step on a long road, the opening to a forest you can get lost in.\u003c\/p\u003e","brand":"Okkervil River","offers":[{"title":"3xCD","offer_id":44536157241507,"sku":"JAG280cd","price":32.99,"currency_code":"USD","in_stock":true},{"title":"3xLP","offer_id":44536157274275,"sku":"JAG280lp","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/black-sheep-boy-10th-anniversary-edition-jagjaguwar-jag280.jpg?v=1776690428"},{"product_id":"black-sheep-boy-definitive-edition-okkervil-river","title":"Black Sheep Boy (Definitive Edition)","description":"\u003cp\u003eThis is the definitive double-disc set which brings together Okkervil River's ground-breaking Black Sheep Boy project in its entirety - including the original album, the 7-song Black Sheep Boy Appendix EP, the song \"The Next Four Months\" (originally released on the \"For Real\" CD single), the \"For Real\" video as well as a new video of a magical alternate slower take of \"No Key, No Plan\". Enjoy this panoramic perspective of a modern masterpiece and one of the most critically acclaimed albums of the new millennium. Black Sheep Boy is Okkervil River's most ambitious and cinematic record to date, a love story and adult fable carved in lacerating rock and roll, desolate late-night country weepers, and a few shining moments of sheer, shameless pop.\u003c\/p\u003e","brand":"Okkervil River","offers":[{"title":"2xCD","offer_id":44536157405347,"sku":"JAG120cd","price":12.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/black-sheep-boy-definitive-edition-jagjaguwar-jag120.jpg?v=1776690428"},{"product_id":"black-sheep-boy-appendix-okkervil-river","title":"Black Sheep Boy Appendix","description":"\u003cp\u003eOkkervil River's Black Sheep Boy Appendix is not just a companion piece to their critically-acclaimed 2005 release; it's also a condensed, alternate vision of that record's imagery and themes, with the ultimate intent to exhaust and destroy both. This ambitious mini-album rounds up and reworks the band's favorite unfinished songs (tracked for the Black Sheep Boy full-length) and then punctuates and bookends them in brand-new compositions; in the process, it shows songwriter Will Sheff and company both revisiting themes from their past and shooting off in some startling new directions.  \"Missing Children\" entombs an unnerving fairy tale monologue in an arrangement that recalls The Marble Index or Tilt; its melody is reprised twenty minutes later in a frenetic and jangly rocker that might have been hatched from the side of Love's \"A House is Not a Motel.\"  In between is everything else; suffocatingly lush string instrumentals, skittering found sounds, lean rockers, deafening epics, the rhythm section interrogating the lead singer, and \"Black Sheep Boy #4,\" which messily dispatches the Black Sheep Boy character in a lurid crime scene high on a plateau of hallucinatory, cinematic folk.\u003c\/p\u003e","brand":"Okkervil River","offers":[{"title":"CDEP","offer_id":44536157339811,"sku":"JAG089cd","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/black-sheep-boy-appendix-jagjaguwar-jag089.jpg?v=1776690429"},{"product_id":"blood-bank-10th-anniversary-edition-bon-iver","title":"Blood Bank (10th Anniversary Edition)","description":"\u003cp\u003e\u003cspan\u003eBon Iver's Blood Bank EP was originally released in early 2009, hot on the heels of the beloved album 'For Emma, Forever Ago'. 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The reissue of this seminal EP is coupled with brand new live renditions of all the EP tracks:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Blood Bank\" recorded at Ericsson Globe in Stockholm, Sweden on Oct 31, 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Babys\" recorded at Eventim Apollo Hammersmith in London on Mar 4, 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Beach Baby\" recorded at the The Bomb Factory in Dallas, TX on Jan 23, 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Woods\" recorded by La Blogothèque at Pitchfork Paris on Nov 3, 2018\u003c\/span\u003e\u003c\/p\u003e","brand":"Bon Iver","offers":[{"title":"CD","offer_id":44536157634723,"sku":"JAG343cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"LP Translucent Red Vinyl","offer_id":44536157667491,"sku":"JAG343lp-C1","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/jag343.bi.bloodbank.preorder.cd.jpg?v=1776690428"},{"product_id":"blue-record-unknown-mortal-orchestra","title":"Blue Record","description":"\u003cp\u003e\"I only started playing the acoustic guitar last year. I'd always preferred the idea that the guitar converts a sound into voltage and then becomes really loud. I thought the acoustic guitar was a little bit too twee for me or something. But after being offered some opportunities to play various acoustic sessions to promote the new record, in situations where it wasn't possible to record the whole band, I decided to treat it like a challenge to try and play acoustic and not have it be lame. After all I was really into Arthur Lee's ability with an acoustic and started wondering if I could make it sound convincing. Anyway, after being somewhat forced to develop some skill on the acoustic through these various radio sessions and things like that I decided to record some songs acoustically and release them since people seemed to be liking the way I was doing it. 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She isn't a disconnected member of society living in a wood shack evading technology or a person of poor length of bone who was found under a rock and is now being pushed on you as the poster child for \"the new and truly authentic,\" as a reminder of what American music \"really\" is at its roots. Sarah went to college. She lived for some time in San Francisco and has travelled the world many, many times. And maybe why her music immediately strikes a chord is that it is informed by so many, many different, disparate musical traditions. BLUEBIRD isn't a folk record, although at times it makes you feel like Sarah has in her collection Hazel Dickens' or Smithsonian-era Lucinda Williams' records. It isn't a country record, but it makes you think maybe she was raised listening to Emmylou Harris. Finally, it isn't something that comes close to what you would consider rock, although the \"rock\" or \"pop\" sections of record stores is where it will end up. Like Marianne Faithfull's BROKEN ENGLISH record, BLUEBIRD is a fish out of water. And perhaps on this record Sarah has become, in one body and mind, the communion of Kris Kristofferson and Rita Coolidge, ala FULL MOON.\u003c\/p\u003e","brand":"Sarah White","offers":[{"title":"CD","offer_id":44536157864099,"sku":"JAG018","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/bluebird-jagjaguwar-jag018.jpg?v=1776690428"},{"product_id":"bombay-aloo-the-curious-digit","title":"Bombay Aloo","description":"\u003cp\u003eRob Sheffield (Details, Rolling Stone) put it best when he wrote, \"BOMBAY ALOO is a playfully bizarre avant-pop racket with guitar fuzz, cheapo synths, video-game noises, and songs to take your breath away... If a junk shop could hum, it would sound like the Digit.\"\u003c\/p\u003e","brand":"The Curious Digit","offers":[{"title":"CD","offer_id":44536157995171,"sku":"JAG001","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/bombay-aloo-jagjaguwar-jag001.jpg?v=1776690428"},{"product_id":"bon-iver-bon-iver","title":"Bon Iver","description":"\u003csection class=\"col-12 col-md-12 col-lg pr-lg-0 pl-4 mb-5\"\u003e\n\u003cp class=\"catalog-description d-none d-md-block text-justify\"\u003e'Bon Iver, Bon Iver' is Justin Vernon returning to former haunts with a new spirit. The reprises are there: solitude, quietude, hope and desperation compressed but always a rhythm arises, a pulse vivified by gratitude and grace notes. The winter, the legend, has faded to just that, and this is the new momentary present. The icicles have dropped, rising up again as grass.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection class=\"col-12 col-md-12 col-lg pr-lg-0\"\u003e\n\u003cdiv class=\"product-image-container\"\u003e\u003ca href=\"https:\/\/www.secretlystore.com\/resources\/product\/380\/bon-iver-jagjaguwar-jag135cd.jpg\" class=\"fancybox\"\u003e\u003cpicture\u003e\u003csource type=\"image\/webp\" srcset=\"https:\/\/www.secretlystore.com\/resources\/product\/380\/bon-iver-jagjaguwar-jag135cd.webp\"\u003e\u003csource type=\"image\/jpg\" srcset=\"https:\/\/www.secretlystore.com\/resources\/product\/380\/bon-iver-jagjaguwar-jag135cd.jpg\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Bon Iver","offers":[{"title":"CD","offer_id":44536158027939,"sku":"JAG135JCD","price":15.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl","offer_id":44673905819811,"sku":"JAG135lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"CD.","offer_id":45814262431907,"sku":"JAG135cd","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/bon-iver-jagjaguwar-jag135.jpg?v=1776690429"},{"product_id":"bon-iver-bon-iver-10th-anniversary-edition","title":"Bon Iver (10th Anniversary Edition)","description":"\u003cp\u003e\u003cspan\u003eThis June marked the ten year anniversary of the worldwide release of Bon Iver's highly acclaimed sophomore release \u003c\/span\u003e\u003cem\u003eBon Iver, Bon Iver\u003c\/em\u003e\u003cspan\u003e. To commemorate the occasion, the band and Jagjaguwar will release a limited edition reissue of the influential album – \u003c\/span\u003e\u003cem\u003eBon Iver, Bon Iver (10th Anniversary Edition)\u003c\/em\u003e\u003cspan\u003e – on CD and LP on January 14, 2022. This edition features five songs from Bon Iver’s beautiful AIR Studios session, which captures the grand spirit of Bon Iver, Bon Iver and distills it into sharper focus, as Justin Vernon and Sean Carey perform the songs as a duo, on grand pianos and vocals only. These versions will be available in physical formats and across DSPs for the first time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe physical release of \u003c\/span\u003e\u003cem\u003eBon Iver, Bon Iver (10th Anniversary Edition)\u003c\/em\u003e\u003cspan\u003e features a blind embossed version of the original cover art and an intimate personal essay from long-time fan Phoebe Bridgers recalling how the “massive, sprawling, unbelievably complex” album brings about both yearning for yesterday, contentment for the present, and collective hope for the future. 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