{"title":"Dance Party","description":null,"products":[{"product_id":"introducing-slipmat-aaron-frazer","title":"Aaron Frazer Slipmat","description":"\u003cp\u003eExclusive Aaron Frazer 'Introducing…' slipmat.\u003c\/p\u003e","brand":"Aaron Frazer","offers":[{"title":"Slipmat","offer_id":44536150032547,"sku":"DOC220slipmat","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc220.aaronfrazer.slipmat.jpg?v=1776690566"},{"product_id":"introducing-aaron-frazer","title":"Introducing...","description":"\u003cp\u003e\u003cspan\u003e*This vinyl color varies from LP to LP. Every piece is unique, but may vary from the image provided!*\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSoft-spoken with the look of a slightly disaffected 1950s matinee idol, Aaron Frazer possesses a unique voice that’s both contemporary and timeless. His higher register conveys a wide emotional palate and a progressive worldview in the tradition of musical masterminds like Curtis Mayfield. While Aaron’s stirring falsetto and thoughtful songwriting have made him established in the world of revival soul music, he refuses to be pigeonholed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e'Introducing...', Aaron Frazer’s debut solo album, co-released on Easy Eye Sound and Dead Oceans, is a testament to his wide-ranging influence and showcases deep gratitude for his musical community. “I didn't want 'Introducing...' to be an exact recreation of an era or a style. We have this opportunity to be inspired by and take direction from our musical forerunners, and also what's happening now -- from contemporary hip hop, from pop music,” Frazer says. “I’m excited to keep breaking some of the expectations around what exactly I'm supposed to be artistically and musically, or what this scene as a whole can be.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Brooklyn-based, Baltimore-raised songwriter first came into the international spotlight as multi-instrumentalist and co-lead singer for Durand Jones \u0026amp; The Indications. He penned some of the group’s most notable tracks, including \"Morning In America,\" and sang lead on \"Is It Any Wonder?\" – the latter an instant sweet soul classic anchored by Aaron’s falsetto, which caught the ear of producer and Black Keys guitarist Dan Auerbach. “Aaron is just so incredibly gifted; to be so good at drums and sing like that at the same time. It just hit so hard and I reached out immediately after I heard ‘Is it Any Wonder.’ I love falsetto singing – there’s something so vulnerable about it,” Auerbach recalls.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 12 songs on Introducing... – a mixture of mid-‘60s soul with Auerbach’s particular sensibilities (“Over You”), songs with a message in the key of Gil Scott-Heron (\"Bad News\"), and uplifting tales of love told through a blend of disco, gospel, and doo-wop (\"Have Mercy\") – were recorded in a week at Auerbach’s antique and ephemera-laden studio in Nashville following a rapid and prolific songwriting session.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Dan likes to have this writing process where you just let go and embrace the kind of pressure cooker environment that comes with extreme time limitation,” Aaron says, adding that the writing sessions pushed him creatively. “My influences are perfectionists; architects creating palaces. So it was definitely scary to do some letting go and try to get in touch with that kind of intuitive process.” Dan brought in legendary songwriters such as 80-year-old L. Russell Brown, who wrote hits for fellow falsetto Frankie Valli and co-wrote \"You Don’t Wanna Be My Baby,\" a pleading midtempo soul number and the album’s opening track. “As soon as Aaron started singing, Russell looked at me and his eyes lit up. He instantly understood Aaron; it was a perfect, effortless way to start the record.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“A lot of these songs are inspired by the relationship that I'm currently in, which is the healthiest relationship I've ever been in,” Aaron reflects. “Throughout the process, I was feeling a lot of gratitude. Not just for my sweetheart, but for my bandmates, for my family and friends who have helped me get to the point where I can have this experience.” Aaron has certainly created a community through his work with the Indications, gospel-soul project The Flying Stars of Brooklyn (Colemine Records), and countless side shows in Bloomington and New York- though his taste has propelled him to the far reaches of American music. From his roots in the mid-Atlantic, Aaron traveled to Indiana where he studied audio engineering and met the Indications, headed down to the Mississippi hill country to do archival recordings of blues music, developed his singing and writing chops while playing in New York folk clubs like the Jalopy Theatre, and continues to tour internationally with Durand Jones \u0026amp; The Indications.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout, Aaron has used music to call attention to issues of inequity and injustice, while highlighting the work of organizations like the Poor People’s Campaign. “It’s important ethically to try to use music for good. If you have something to say politically, don’t hide it until it’s asked about,” he says, adding that Introducing... balances songs of happiness with more political messages. The unique blend of ‘90s R\u0026amp;B and Chicago steppers on “Done Lyin’” reflects on friends’ battles with addiction, while “Bad News” is a soul-jazz rumination on the tumultuous state of the earth with a folk inflection, reflecting on the ways we choose to tune out in the face of crises like homelessness and climate change. “It’s hard to wrap our minds around a truly existential threat, so a lot of us ignore it. The song “Bad News” is almost like the earth itself gets on the subway asking for help.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAaron expertly calibrates consciousness-raising and the desire to be enveloped by love, presenting listeners with a multiplicity of emotions. Where previous records were written in a partial state of turmoil, Aaron’s debut LP shows maturation and range. 'Introducing...' is both loving and gracious, critical without losing hope.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We can sustain a movement and not a moment by following the lead of artists like Gil Scott- Heron, who wrote ‘We Almost Lost Detroit’ as well as ‘Your Daddy Loves You.’ Artists like Curtis Mayfield who wrote ‘We The People Are Darker Than Blue’ and also wrote ‘The Makings of You.’ And on and on with the balances of critical political commentary and a fearlessness to be tender. Those are my heroes and I can see a path forward in their work.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuerbach called on a crew of heavy session players -- including members of the Memphis Boys (who played on Dusty Springfield’s \"Son of A Preacher Man\" and Aretha Franklin’s \"You Make Me Feel Like A Natural Woman\"), symphony percussionist Sam Bacco, and members of the Daptone-Big Crown Records universe -- to record over six days. “I really didn't want to make a retro record with Aaron; I wanted it to be its own thing, have its own sound. The crew had not made records together before, so it was a very fresh feeling that I think will strike a chord with people. There's this amazing cross-section of musicians, young and old, with Aaron leading the way.” With a collaborative vision, Introducing... manages to hit the sweet spot between intuition, intentionality, and craft – a love song that’s both personal and universal.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aaron Frazer","offers":[{"title":"CD","offer_id":44536180244643,"sku":"DOC220cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl","offer_id":44536180277411,"sku":"DOC220lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"LP translucent purple \u0026 blue nebula","offer_id":44536180310179,"sku":"DOC220lp-C2","price":20.99,"currency_code":"USD","in_stock":false},{"title":"Bundle Exclusive Bundle","offer_id":44536180342947,"sku":"DOC220xbnd01","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc220.aaronfrazer.lp.dtc.col.jpg?v=1776689948"},{"product_id":"aaron-frazer-into-the-blue","title":"Into The Blue","description":"\u003cp\u003e“Into The Blue is the clearest portrait of who I am as an artist. It’s me through and through,” says multi-instrumentalist Aaron Frazer. A daring blend of soul, psychedelia, spaghetti western, disco, gospel and hip-hop, Into the Blue represents the impressive range of Frazer's sonic talents. Frazer maintains the unmistakable falsetto and classic songwriting he’s known for, but plants Into the Blue firmly in the now with a hip-hop mentality at its core, weaving together genres and production techniques to form something new.\u003c\/p\u003e\n\n\u003cp\u003eInto The Blue was conceived, like so many classic records, out of heartbreak. Frazer moved cross-country from Brooklyn to Los Angeles and embarked on a journey that’s reflected in the album’s themes of grief, loneliness, and searching for healing. “Into The Blue really means heading into the unknown. That has been the last year of my life and I'm still in the blue,” Frazer explains. “But there are also songs here that celebrate love and the giddiness of a new relationship and all that. That's part of a breakup to me, processing the whole thing, remembering the things that were right as much as the things that were wrong.” \u003c\/p\u003e\n\n\u003cp\u003eFrazer wrote on every track and played several live instruments on the album. The title track, “Into The Blue”, is a haunting, resolute anthem, combining cinematic strings and tough-as-nails breakbeats as Frazer heads west. “Here I go, to a place where the broken heart knows,” he sings. “It’s all I can do. Back into the blue.” “Payback” is an explosive dancefloor heater, featuring shimmering tambourines and driving bass lines. Northern soul drums meet snarling fuzz guitar, hurdling towards its epic conclusion.\u003c\/p\u003e\n\n\u003cp\u003eThe album features moments of towering arrangements, recalling David Axelrod and Ennio Merricone, balanced by rawness, incorporating iPhone recordings and one-take vocals. For Into the Blue, Frazer enlisted Grammy-winner Alex Goose as co-producer, known for his crate-digging samples and collaborations with hip-hop artists like Freddie Gibbs, Madlib and Brockhampton. Frazer also experimented with samples for the first time on a record, drawing from unexpected sources like 90s R\u0026amp;B group Hi-Five. \u003c\/p\u003e\n\n\u003cp\u003eThough Into the Blue is born out of heartbreak, Frazer hopes it leaves listeners with a sense of optimism. “You know, you can still laugh on a day when you're grieving,” he says, “there’s no peaks without valleys,” he says, but Into The Blue sees Aaron Frazer at new heights.\u003c\/p\u003e","brand":"Aaron Frazer","offers":[{"title":"LP Patina Rust Splash Vinyl LP","offer_id":44536180375715,"sku":"DOC320lp-C2","price":25.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":44536180408483,"sku":"DOC320cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl LP","offer_id":44536180441251,"sku":"DOC320lp","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc320.aaronfrazer.intotheblue.mock.c2.jpg?v=1776689950"},{"product_id":"muna-muna","title":"MUNA","description":"\u003cp\u003e\u003cspan\u003eMUNA is magic. What other band could have stamped the forsaken year of 2021 with spangles and pom-poms — made you sing (and maybe even believe) that “Life’s so fun, life’s so fun,” during what may well have been the most uneasy stretch of your life? “Silk Chiffon,” MUNA’s instant-classic cult smash, featuring the band’s new label head Phoebe Bridgers, hit the gray skies of the pandemic’s year-and-a-half mark like a double rainbow. Pitchfork called it a “swirl of stomach butterflies,” NPR a “queerworm,” Rolling Stone “one of the year’s sweetest melodies, radiating the kind of pure pop bliss so many bands go for but almost never get this right.” For Naomi McPherson, MUNA’s guitarist and producer, it was a “song for kids to have their first gay kiss to.” And several thousand unhinged Twitter and TikTok memes bloomed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKatie Gavin, MUNA’s lead singer and songwriter, wrote “Silk Chiffon” right after finishing the band’s 2019 album, Saves the World. That was an LP whose lead single began “So I heard the bad news\/ Nobody likes me and I’m gonna die alone in my bedroom\/ Looking at strangers on my telephone,” and which ended with a hypnotic, self-searching confession about failure and consolation. Since the beginning of their career, MUNA has embraced pain as a bedrock of longing, a center of radical truth, a part of growing up, and an inherent factor of marginalized experience — the band’s members belong to queer and minority communities, and play for these fellow-travelers above all. But in “Silk Chiffon,” there was just longing, and it was blissfully requited at that. “It’s kind of a smooth-brain song,” Gavin says. “Saves the World was therapy on a record, and I was starting to see changes in my life, more moments of joy. It’s a big deal that someone like me could write that smooth!” What makes the confetti-gun refrain of “Silk Chiffon” so potent, though, is the underlying sense that the band understands exactly what has to be suppressed, or reckoned with, in order to sing it. “We are three of the most depressed people you could ever come into contact with, depending on the day,” McPherson said, with a smile.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGavin, McPherson, and Josette Maskin, MUNA’s guitarist, are coming up on ten years of friendship. They began making music together in college, at USC, and released an early hit in the 2017 single “I Know a Place,” a pent-up invocation of LGBTQ sanctuary and transcendence. Now in their late twenties, the trio has become something more like family. They spent much of the early pandemic as a pod, showing up for each other and for MUNA — a project that at this point feels bigger than them — even when they weren’t sure about anything regarding the future. They’d been dropped by RCA, and there was little in terms of income, no adrenaline to work off of, no live shows with audiences reminding them of the succor their songs provide. They asked each other: Is this career even feasible in this new reality? Can we find a way to be self-motivated, to be fulfilled intrinsically? For months, they surrendered to this confusion, to the reality of being humbled by change. “You have to let things fall apart,” Gavin said. “And it was only possible because of this tremendous trust. I have so few relationships in my life where I have the kind of trust that I do with Naomi and Jo — where I can trust that there’s a higher purpose, that we can work through all the boundaries and compromises and mess that comes with long-term relationships, and then return to form.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMUNA, the band’s self-titled third album, is more than a return. The band’s period of uncertainty and open questioning burned everything away, leaving a feat of an album — the forceful, deliberate, dimensional output of a band who has nothing to prove to anyone except themselves. The synth on “What I Want” scintillates like a Robyn dance-floor anthem; “Anything But Me,” galloping in 12\/8, gives off Shania Twain in eighties neon; “Kind of Girl,” with its soaring, plaintive The Chicks chorus, begs to be sung at max volume with your best friends. MUNA is working the source code of pop that pulls at your heartstrings; the album is full of longing and revelation and hard-won freedom. They’d made their first album themselves, with free plugins, in a home studio; they’d made the second one in proper sessions with co-producers, thinking they ought to professionalize. With MUNA, they did it all by themselves again, with newfound creative assurance and technical ability — in terms of McPherson and Maskin’s arrangements and production as well as Gavin’s songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“What ultimately keeps us together,” Maskin said, “is knowing that someone’s going to hear each one of these songs and use it to make a change they need in their life. That people are going to feel a kind of catharsis, even if it’s a catharsis that I might never have known myself, because I’m fucked up.” McPherson added, “I hope this album helps people connect to each other the way that we, in MUNA, have learned to connect to each other.” And that’s what MUNA does, in the end: it carves out a space in the middle of whatever existential muck you’re doing the everyday dog-paddle through and transports you, suddenly — you who’ve come to music looking for an answer you can’t find anywhere else — into a room where everything is possible, where the disco ball’s never stopped throwing sparkles on the walls, where you can sweat and cry and lie down on the floor and make out with whoever, where vulnerability in the presence of those who love you can make you feel momentarily bulletproof and self-consciousness only sharpens the swell of joy.\u003c\/span\u003e\u003c\/p\u003e","brand":"MUNA","offers":[{"title":"CD","offer_id":44536190206115,"sku":"SAD005cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"LP Black Vinyl LP","offer_id":44536190238883,"sku":"SAD005lp","price":23.99,"currency_code":"USD","in_stock":true},{"title":"LP Opaque White Vinyl","offer_id":44536190271651,"sku":"SAD005lp-C2","price":24.99,"currency_code":"USD","in_stock":true},{"title":"LP Translucent Orange Vinyl","offer_id":67680810664099,"sku":"SAD005LP-C3","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sad005.muna.mockup.lp-83a40a4fb31632bae144170933277e59.jpg?v=1715585063"},{"product_id":"toro-y-moi-sandhills","title":"Sandhills","description":"\u003cp\u003e\u003cem\u003eToro y Moi 'Sandhills' EP released digitally on August 25th and released on vinyl on October 20th. LPs include custom etching of album lyrics. B-side features field recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eToro y Moi’s ‘Sandhills’ is both a tender love letter to Chaz Bear’s hometown of Columbia, South Carolina, and a poignant, bittersweet acceptance that one can never really go back home. Recalling Sufjan’s ‘Seven Swans’ or Karen O’s soundtrack work for ‘Where The Wild Things Are,’ these loping folk-pop songs are themselves a sort of Saturn return, reminiscent of Bear's first handmade CD-Rs as Toro y Moi. Bear gave them out to friends in the earliest days of the moniker, the releases stuffed in the Case Logic visor of their cars, and each listen brings a little more of that detail to life: the mall after which 'Sandhills' is named; the teenaged friends spending aimless hours there, full of big ennui and bigger dreams; the late-capitalist decline and empty big box stores of Sandhills today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChaz Bear, Toro y Moi, is now a globally beloved indie-pop icon. But 'Sandhills', with its banjo and lap steel flourishes and its wide-eyes wonder, concedes that you never quite totally rid yourself of those adolescent blues. You might just, if you're lucky, develop better mechanisms (or delusions!) with which to handle them. \"Sidelines\" tells the tale of aesthete putting himself through the high school football gauntlet. Even the closing novelty track “Said Goodbye To Rock n Roll” has all the makings of a Chris Stapleton hit if you just squint a little. Clear eyes, full hearts, sweet jams, can’t lose. Lyrically deft and deceptively heartbreaking, ‘Sandhills’ may be a brief pit stop between grand statements from Bear, but it’s brimming with rust, guts, big moods and love.\u003c\/span\u003e\u003c\/p\u003e","brand":"Toro y Moi","offers":[{"title":"LP Black Engraved Vinyl","offer_id":44536204165283,"sku":"DOC347lp","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc347.tym.sandhills.mockup.jpg?v=1776689526"},{"product_id":"toro-y-moi-mahal","title":"MAHAL","description":"\u003cp\u003e\u003cspan\u003eThe 13-track project marks the seventh studio album from Bear under the Toro y Moi moniker. To celebrate the announcement, Toro y Moi shares two singles from the forthcoming record \"Postman\" b\/w \"Magazine.\" Each of the new singles arrives with accompanying visuals. \"Postman,\" directed by Kid. Studio, sees Toro and friends riding around the colorful San Francisco landscape in his Filipino jeepney, seen on the cover of MAHAL. \"Magazine,\" directed by Arlington Lowell, sees Toro and Salami Rose Joe Louis, who supplies vocals on the track, dressed vibrantly in a photo studio spliced with various colorful graphics and playful edits.\u003cbr\u003e\u003cbr\u003eMAHAL's announcement and singles arrive on the heels of Toro's highly celebrated 2019 album Outer Peace, which Pitchfork described as \"one of his best albums in years\" along with his Grammy-nominated 2020 collaboration with Flume, \"The Difference,\" which was also featured in a global campaign for Apple's Airpods. Today's releases mark the first from Toro y Moi since signing to Secretly Group label Dead Oceans. Dead Oceans is an independent record label established in 2007 featuring luminaries like Japanese Breakfast, Khruangbin, Phoebe Bridgers, Bright Eyes, Mitski, Slowdive and more.\u003cbr\u003e\u003cbr\u003eToro y Moi is the 12+ year project of South Carolina-reared, Bay Area-based Chaz Bear. In the wake 2008’s global economic collapse, Toro y Moi emerged as a figurehead of the beloved sub-genre widely known as chillwave, the sparkling fumes of which still heavily influence musicians all over today. Over the subsequent decade, his music and graphic design has far, far surpassed that particular designation. Across 9 albums (6 studio as Toro y Moi along with a live album, compilation and mixtape) with the great Carpark label, he has explored psych-rock, deep house, UK hip-hop; R\u0026amp;B and well-beyond without losing that rather iconic, bright and shimmering Toro y Moi fingerprint. As a graphic designer, Bear has collaborated with brands like Nike, Dublab and Van’s. And as a songwriter and producer, he’s collaborated with other artists like Tyler, The Creator, Flume, Travis Scott, HAIM, and Caroline Polachek.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Toro y Moi","offers":[{"title":"CD","offer_id":44673917255843,"sku":"DOC300cd","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":44673917288611,"sku":"DOC300cass","price":9.99,"currency_code":"USD","in_stock":false},{"title":"LP Black Vinyl","offer_id":44673917321379,"sku":"DOC300lp","price":26.99,"currency_code":"USD","in_stock":true},{"title":"LP Blue Marble Vinyl","offer_id":44673917354147,"sku":"DOC300lp-C3","price":28.99,"currency_code":"USD","in_stock":true},{"title":"LP Red\/White Marble Smoke Vinyl","offer_id":44673917386915,"sku":"DOC300lp-C2","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc300.tym.mahal.mockup.cd.jpg?v=1776688926"},{"product_id":"hole-erth","title":"HOLE ERTH","description":"\u003cp class=\"expandable-text d-none d-md-block text-justify\"\u003eHole Erth, Chaz Bear’s eighth full-length studio record as Toro y Moi, is the genre shapeshifter’s most unexpected and bold move to date, with Bear ping headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap – two genres that inform one another now more than ever before — and packs in the most features ever on a Toro y Moi album. We get Don Toliver’s moody crooning on the anti-love song “Madonna.” We get Kevin Abstract and Lev’s breathy reflections on “Heaven.” We get emo king Benjamin Gibbard, the beating heart of millennial indie for crying out loud. Recorded in the span of a few months across late 2023 and early 2024, Hole Erth’s features built naturally over that short span, with Bear simply reaching out to long-time friends. The sum of Hole Erth’s parts is massive, and demonstrates Bear’s deft abilities as a producer, especially in hip-hop; his role in the culture has long been solidified from previous collaborations with some of rap's biggest trailblazers. It’s a daring left turn for Bear, but the feel is effortless, the make-it-look-easy of a master at work. All told, Bear pushes himself into new sonic ground for the TyM oeuvre while embracing the project’s celebrated, well-known electronic beginnings. Hole Erth is brand new, but somehow perfectly at home. \u003cbr\u003e\u003cbr\u003eThe album’s title is an homage to Whole Earth, Stewart Brand’s DIY periodical from the late ‘60s and early ‘70s, the central purpose of which was to empower people to be holistically self-sufficient. From product reviews of carpentry tools, to how-to guides for growing your own food, to techno-optimistic analyses that’d go on to inspire Silicon Valley startup culture, parallels of the catalog’s DIY ethos can be found all throughout Hole Erth. Bear cites gorpcore, a new-age fashion trend of functional, outdoorsy outerwear worn as streetwear, as influencing the album’s aesthetic. This also ties back to Brand’s influential counterculture catalog. Bear notes: “Things have gone in a more gorp-y direction. Humans are tapping into this more tribal, earthier aesthetic. The Whole Earth catalog is this encyclopedic, self-sustaining guide. With the album title alone, that’s something I wanted to spark as a conversation. We can be off the grid, and also be on the internet, and try out all of these different lifestyles at the same time.” This sense of duality exists within Hole Erth: it’s seeped in the technological world while embracing real-world human connection.\u003cbr\u003e\u003cbr\u003eThe sounds that make up Hole Erth might feel like new territory for Bear, but in reality it’s a return to form for Toro y Moi – a project that has always orbited electronic music. “Toro is not a rock band,” Bear assures. “To me, my folk records and psych rock records are the side quests. What I fell in love with with the Toro project were the electronic productions – the samples. There’s always more to be done in the electronic world.” His experimentation with electronic production is most obvious on tracks like album opener “Walking In The Rain,” an immediate immersion into the brooding pulse of Hole Erth. Given Bear’s work with some of modern rap’s most influential acts, it’s no surprise that his autotuned cadence and cheeky play-on-words calls to mind the moody braggadocio of today’s popular hip-hop. “Hollywood,” featuring Benjamin Gibbard of Death Cab for Cutie and The Postal Service fame, places warped vocals and ephemeral sound bites of internet dial-up beneath watery ruminations on celebrity and the delusions prevalent in Tinseltown. The track’s nostalgic nods in combination with Bear’s genre fluidity is a Toro y Moi trademark that can be heard throughout his discography. From the twangy, laidback reflections that comprised his most recent Sandhills EP, to the retro-futuristic grooves of 2019’s Outer Peace, Bear is no stranger to flexing his muscles as a forward-thinking musical chameleon, while still managing to make music that feels eternally familiar yet compelling.\u003cbr\u003e\u003cbr\u003eA sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like “Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on “HOV,” though not without poking some fun with lines like “Romance is so cold \/ My advice? To bring a coat.” \u003cbr\u003e\u003cbr\u003eA sense of playful ambition and experimentation sits at the core of Hole Erth. Bear has the energy, but is acutely aware that his energy isn’t forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.\u003c\/p\u003e\n\u003cdiv data-item-key=\"1755787226.349089\" data-qa=\"virtual-list-item\" id=\"message-list_1755787226.349089\" role=\"listitem\" class=\"c-virtual_list__item\" aria-setsize=\"-1\" tabindex=\"0\"\u003e\n\u003cdiv data-qa-placeholder=\"false\" data-qa-unprocessed=\"false\" data-qa=\"message_container\" class=\"c-message_kit__background c-message_kit__background--hovered p-message_pane_message__message c-message_kit__message\" role=\"presentation\"\u003e\n\u003cdiv data-qa-hover=\"true\" class=\"c-message_kit__hover c-message_kit__hover--hovered\" aria-roledescription=\"message\" role=\"document\"\u003e\n\u003cdiv class=\"c-message_kit__actions c-message_kit__actions--default\"\u003e\n\u003cdiv class=\"c-message_kit__gutter\"\u003e\n\u003cdiv data-qa=\"message_content\" class=\"c-message_kit__gutter__right\" role=\"presentation\"\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cdiv class=\"p-rich_text_section\"\u003e\n\u003cstrong\u003eGZ GreenPower Bio-attributed Compound is produced based on mass balanced renewable ethylene and made from PVC and co-polymer that was produced with renewable power from hydropower, wind power or solar\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eenergy.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"p-rich_text_section\"\u003e\n\u003cbr\u003e\u003cstrong\u003eThe carbon-dioxide savings with GZ GreenPower Bio-attributed Compound are about 90%.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv role=\"group\" class=\"c-message_actions__container c-message__actions\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Toro y Moi","offers":[{"title":"LP BLACK LP","offer_id":44804983357603,"sku":"DOC355LP-V1","price":25.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":44804983390371,"sku":"DOC355cd","price":14.99,"currency_code":"USD","in_stock":true},{"title":"LP SILVER SMOKE VINYL","offer_id":44804983423139,"sku":"DOC355lp-C3","price":27.99,"currency_code":"USD","in_stock":true},{"title":"LP OLIVE GREEN BIOVINYL","offer_id":46159008891043,"sku":"DOC355lp-C2","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc355.tym.he.cd.mock-ec33e7964ac6987bb0e94e4cd94e102f.webp?v=1776688747"},{"product_id":"live-at-the-greek-theatre-in-los-angeles","title":"Live at The Greek Theatre in Los Angeles","description":"\u003cp\u003e\u003cspan\u003eMUNA’s first-ever official live recording spanning the band’s full catalog on two, limited-edition opaque silver vinyl LPs. 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Rearranged for guitar, piano, drums, and strings, the collection adds a curious postscript to Hole Erth's unexpected, inspired, madcap pivot into rap-rock, hyperpop, and Y2K emo. Daring in its own right, Unerthed reveals a deft songwriter unguarded, inhabiting lyrics and instrumentation with uncomplicated poise and clever turns of phrase and melody. It's a return to basics for the shapeshifting Bay Area artist, a chance to excavate and shed new light on the material. These elemental revelations have been at the core of Bear's project all along, from his earliest CD-Rs to the many mutations of psych-funk, synth-pop, deep house, and beyond that have kept the independent music world transfixed and guessing for nearly two decades. But Unerthed sounds it out more clearly, underscoring that there has only ever been one genre here: Toro y Moi.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBefore a haze-crazed blogosphere crowned \"Blessa\" at the top of the 2010s, Bear experimented in a more traditional mode of homespun folk akin to that of early Sufjan Stevens or Iron \u0026amp; Wine. He returned to it with his 2023 EP, Sandhills, and here, he taps further into that come-up story and style. The treatment is fitting for \"CD-R\", itself a nod to the DIY grind of his formative era, when he would burn handmade mixes and pack the trunk with merch for poorly booked tours. In place of the original's trap beats and autotuned sad boi bars are soft strums and flourishes of lap steel, with Bear's voice left wistful and clean, howling in the key of Alex G. \"Everyday's a different interstate, tell me what's today? It's transcendental,\" the lines land differently in the open air.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"HOV\" transforms from a pop-punk anthem to an Americana spiritual. Where Bear delivered angst with a playful wink on the LP version, now, above arpeggiated keys and the string-backed highway sprawl, he's \"biodegradable \/ an energy angel\" in a more earnest, raw kind of way. Both takes are true, because they're his; yet, the unplugged presentation of \"HOV\" and the work across the album lend extra gravity to the wordplay. \"All the constellations still look the same \/ Poor navigation, who am I to blame?\" he sings on the nostalgic \"Hollywood\", first realized with Ben Gibbard on Hole Erth. The Unerthed version finds Bear alone and just as lost under the stars in Tinseltown. What felt intentionally emo in the original registers here as more classically bleak, deeply rooted within a lineage of songwriting melancholy that predates its millennial touchstones (from Leonard Cohen to Elliott Smith).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe poignant reframings continue throughout; \"Madonna\", pepped up in a western swing, becomes the love song it had flirted with, \"Heaven\" doubles down on the suburban daydream, \"Starlink\" reappears far less flexed, the tender, jetlagged ballad it's always been. An album, in part, about burnout and reclaiming oneself, Hole Erth came together unusually quickly for Bear, recorded in the span of a few months. Unerthed makes the case that the instinctual songbook captures more emotion and personality than initially meets the eye. Revisited, stripped back, and unpacked, what's left is the sheer strength of these songs. A worthy stop along the winding catalog of a musical chameleon, one of our contemporary greats.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eChaz Bear adds:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The idea to begin this project came while listening to Nirvana’s ‘MTV unplugged’ record. I love how the rearrangement brought out so many intricacies of their songwriting and gave context to the original recordings and the decisions made. During the recording of ‘Hole Erth’, the sonic palette was more aggressive and angsty than what most of my listeners were used to hearing from me, but I felt these songs were strong without any production. I wanted to be able to play them on guitar live. One day, after posting an acoustic version of ‘CD-R’, I saw a huge amount of positive responses. I guess it was a modern-day version of crowdsource testing a song—which led to me completing this vision. It reminded me of how folks were asking for a full-length record of my ‘Sandhills EP’, and I figured I’d this is the perfect opportunity to present something completely different conceptually. Americana has always been a major theme in my music. I asked myself what could be more edgy than Rap-Rock turned Alt-Country? Hole Erth and Unerthed was meant to be a dual album from the beginning, the vision is complete. Enjoy…”\u003c\/em\u003e\u003c\/p\u003e","brand":"Toro y Moi","offers":[{"title":"LP (Opaque Brown Vinyl)","offer_id":46127826010275,"sku":"DOC375lp-C1","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/DOC375.TYM.Unerthed.LP-C1.mock.jpg?v=1776688509"},{"product_id":"mahal-copy","title":"MAHAL T-Shirt","description":"\u003cp\u003e\u003cstrong\u003e'Mahal' \u003cem\u003eUnisex Heavyweight T-Shirt\u003c\/em\u003e \u0026amp; \u003cem\u003eWomen\/Femme T-Shirt\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToro y Moi is the 12+ year project of South Carolina-reared, Bay Area-based Chaz Bear. In the wake 2008’s global economic collapse, Toro y Moi emerged as a figurehead of the beloved sub-genre widely known as chillwave, the sparkling fumes of which still heavily influence musicians all over today. Over the subsequent decade, his music and graphic design has far, far surpassed that particular designation. Across 9 albums (6 studio as Toro y Moi along with a live album, compilation and mixtape) with the great Carpark label, he has explored psych-rock, deep house, UK hip-hop; R\u0026amp;B and well-beyond without losing that rather iconic, bright and shimmering Toro y Moi fingerprint. As a graphic designer, Bear has collaborated with brands like Nike, Dublab and Van’s. And as a songwriter and producer, he’s collaborated with other artists like Tyler, The Creator, Flume, Travis Scott, HAIM, and Caroline Polachek.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Toro y Moi","offers":[{"title":"T-Shirt Medium Unisex Heavyweight","offer_id":46197130690723,"sku":"DOC300-T01-UMD","price":29.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt Large Unisex Heavyweight","offer_id":46197130723491,"sku":"DOC300-T01-ULG","price":29.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt X-Large Unisex Heavyweight","offer_id":46197130756259,"sku":"DOC300-T01-UXL","price":29.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt  XX-Large Unisex Heavyweight","offer_id":46197130789027,"sku":"DOC300-T01-UXXL","price":29.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt  Small Women\/Femme","offer_id":46197130821795,"sku":"DOC300-T01-WSM","price":29.99,"currency_code":"USD","in_stock":true},{"title":"T-Shirt  Medium Women\/Femme","offer_id":46197130854563,"sku":"DOC300-T01-WMD","price":29.99,"currency_code":"USD","in_stock":true},{"title":"T-Shirt Large Women\/Femme","offer_id":46197130887331,"sku":"DOC300-T01-WLG","price":29.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt X-Large Women\/Femme","offer_id":46197130920099,"sku":"DOC300-T01-WXL","price":29.99,"currency_code":"USD","in_stock":true},{"title":"T-Shirt Women\/Femme Tee XX-Large","offer_id":46197130952867,"sku":"DOC300-T01-WXXL","price":29.99,"currency_code":"USD","in_stock":false},{"title":"T-Shirt  XXX-Large Women\/Femme Tee","offer_id":46197130985635,"sku":"DOC300-T01-WXXXL","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc300.tym.mahal.mockup.tee.m.jpg?v=1776688508"},{"product_id":"written-into-changes","title":"Written into Changes","description":"\u003cp\u003eChange, they say, is the only constant in life. Fittingly, multi-hyphenate musician Avalon Emerson sounds at home harnessing the steady flux of her existence on Written into Changes, the memoiristic second album released under her Avalon Emerson \u0026amp; the Charm moniker. A work of rigorous invention and revision, the album’s themes of personal and relationship evolution “came into clarity after they were all done,” according to Emerson.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe making of Changes was, appropriately enough, very different from that of \u0026amp; the Charm. While that album was, in Emerson’s words, “soft and bedroomy,” the energy was upped this time around, as Emerson carefully considered how this material would work in a live context. The resulting body of work is band-driven but groove-heavy and dance-adjacent. The break-beat-assisted “Eden” has a “baggy” sound that’s reminiscent of dance-rock hybrids of the late ‘80s and early ‘90s. The witty “How Dare This Beer” was written in loving tribute to the Magnetic Fields. “’87 to ’94 is my idea of the best era of music,” says Emerson. “And with Nathan, our musical taste overlaps quite a bit.”\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNathan is Nathan Jenkins, aka Bullion, who co-produced \u0026amp; the Charm and returned to handle the bulk of its followup. Much of the recording took place in Braintree, England, in the winter into spring of 2024. The two tracks co-produced with Rostam Batmanglij (“Jupiter \u0026amp; Mars” and “Earth Alive”) were cut in Los Angeles. Synth touches were added at the Synth Cabin at Rosen Sound in Glendale, California. While the collaborative creation of Written into Changes diverged considerably from Emerson’s dancefloor-tailored solo productions, the influence of dance music is splashed all over it. Emerson was fixated on her music’s low end as she crafted it. “Bass was definitely a priority,” she says.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEmerson wrote the melodies and lyrics on Written into Changes, and the majority of the latter were sourced from her personal life. “It was a goal with my lyrics this time around to be a little bit more direct,” she says. The title track, one of the artist’s favorites, is about her move from Berlin to Los Angeles in 2020. The frenetic “Happy Birthday” has a sunny spirit anchored by gently devastating lyrics like those of the refrain: “Too young to die \/ Too old to break through.” That track arrives having been club-tested—Emerson has already dropped it into her sets at clubs like Panorama Bar at Berlin’s Berghain and Brooklyn’s Nowadays. Both “Eden” and “Country Mouse” are odes to Emerson’s relationship with her wife, Hunter while “I Don’t Want to Fight” and “Earth Alive” are “about realizing you can't change people and trying to take them for who they are, and sometimes that means loving them from afar,” she says.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003eWritten into Changes is an album about not just accepting change, but embracing it with a full wingspan. 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The resulting body of work is band-driven but groove-heavy and dance-adjacent. The break-beat-assisted “Eden” has a “baggy” sound that’s reminiscent of dance-rock hybrids of the late ‘80s and early ‘90s. The witty “How Dare This Beer” was written in loving tribute to the Magnetic Fields. “’87 to ’94 is my idea of the best era of music,” says Emerson. “And with Nathan, our musical taste overlaps quite a bit.”\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNathan is Nathan Jenkins, aka Bullion, who co-produced \u0026amp; the Charm and returned to handle the bulk of its followup. Much of the recording took place in Braintree, England, in the winter into spring of 2024. The two tracks co-produced with Rostam Batmanglij (“Jupiter \u0026amp; Mars” and “Earth Alive”) were cut in Los Angeles. Synth touches were added at the Synth Cabin at Rosen Sound in Glendale, California. While the collaborative creation of Written into Changes diverged considerably from Emerson’s dancefloor-tailored solo productions, the influence of dance music is splashed all over it. Emerson was fixated on her music’s low end as she crafted it. “Bass was definitely a priority,” she says.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEmerson wrote the melodies and lyrics on Written into Changes, and the majority of the latter were sourced from her personal life. “It was a goal with my lyrics this time around to be a little bit more direct,” she says. The title track, one of the artist’s favorites, is about her move from Berlin to Los Angeles in 2020. The frenetic “Happy Birthday” has a sunny spirit anchored by gently devastating lyrics like those of the refrain: “Too young to die \/ Too old to break through.” That track arrives having been club-tested—Emerson has already dropped it into her sets at clubs like Panorama Bar at Berlin’s Berghain and Brooklyn’s Nowadays. 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Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.\u003c\/p\u003e\n\u003cp\u003eAcross the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and  how joy survives without denial. 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Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eAcross the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and; how joy survives without denial. Tracks like “Wannabeher” capture the dizzying thrill of stepping fully into someone else’s fantasy, while “Why Do I Get A Good Feeling” lingers long after the beat ends, a meditation on fleeting joy and suspended possibilities. The album closes with “Buzzkiller,” a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eTheir previous work, including the viral hit “Silk Chiffon,” has earned hundreds of millions of streams and widespread acclaim, alongside TV appearances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live, The Ellen DeGeneres Show, and Good Morning America. The band also maintains a devoted following across TikTok, Instagram, and Spotify.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eProduced with their trademark attention to detail, Dancing On The Wall blends euphoric sonic landscapes with sharp, human storytelling. Led and largely produced by Naomi McPherson, A\u0026amp;R'ed label-boss by Phoebe Bridgers, the album is one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesn’t just capture the moment, but distills it into a world you want to inhabit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe Secretly Society Exclusive White Vinyl is ONLY available to Record Club Members. Purchasing a subscription means you will automatically receive this record in May! \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eMUNA’s journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album, \u003cem\u003eDancing On The Wall\u003c\/em\u003e, they’ve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eAcross the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and  how joy survives without denial. Tracks like “Wannabeher” capture the dizzying thrill of stepping fully into someone else’s fantasy, while “Why Do I Get A Good Feeling” lingers long after the beat ends, a meditation on fleeting joy and suspended possibilities. The album closes with “Buzzkiller,” a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eTheir previous work, including the viral hit “Silk Chiffon,” has earned hundreds of millions of streams and widespread acclaim, alongside TV appearances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live, The Ellen DeGeneres Show, and Good Morning America. The band also maintains a devoted following across TikTok, Instagram, and Spotify.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eProduced with their trademark attention to detail, \u003cem\u003eDancing On The Wall\u003c\/em\u003e blends euphoric sonic landscapes with sharp, human storytelling. Led and largely produced by Naomi McPherson, A\u0026amp;R'ed label-boss by Phoebe Bridgers, the album is one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesn’t just capture the moment, but distills it into a world you want to inhabit.\u003c\/span\u003e\u003c\/div\u003e","brand":"MUNA","offers":[{"title":"LP","offer_id":47277587923107,"sku":"SAD028lp-C3","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sad028.muna.mock.LP-C3.SS_9f15797d-e1e0-437d-a2a2-b82142078101.jpg?v=1776688327"},{"product_id":"introducing-revinyl","title":"Introducing… (ReVinyl)","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eAvailable to pre-order now, releasing 5th June 2026. Please note that this will ship on or around release date.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eReVinyl color is chosen at random - pressed using 100% reclaimed vinyl material\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eSoft-spoken with the look of a slightly disaffected 1950s matinee idol, Aaron Frazer possesses a unique voice that’s both contemporary and timeless. His higher register conveys a wide emotional palate and a progressive worldview in the tradition of musical masterminds like Curtis Mayfield. While Aaron’s stirring falsetto and thoughtful songwriting have made him established in the world of revival soul music, he refuses to be pigeonholed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e'Introducing...', Aaron Frazer’s debut solo album, co-released on Easy Eye Sound and Dead Oceans, is a testament to his wide-ranging influence and showcases deep gratitude for his musical community. “I didn't want 'Introducing...' to be an exact recreation of an era or a style. We have this opportunity to be inspired by and take direction from our musical forerunners, and also what's happening now -- from contemporary hip hop, from pop music,” Frazer says. “I’m excited to keep breaking some of the expectations around what exactly I'm supposed to be artistically and musically, or what this scene as a whole can be.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Brooklyn-based, Baltimore-raised songwriter first came into the international spotlight as multi-instrumentalist and co-lead singer for Durand Jones \u0026amp; The Indications. He penned some of the group’s most notable tracks, including \"Morning In America,\" and sang lead on \"Is It Any Wonder?\" – the latter an instant sweet soul classic anchored by Aaron’s falsetto, which caught the ear of producer and Black Keys guitarist Dan Auerbach. “Aaron is just so incredibly gifted; to be so good at drums and sing like that at the same time. It just hit so hard and I reached out immediately after I heard ‘Is it Any Wonder.’ I love falsetto singing – there’s something so vulnerable about it,” Auerbach recalls.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 12 songs on Introducing... – a mixture of mid-‘60s soul with Auerbach’s particular sensibilities (“Over You”), songs with a message in the key of Gil Scott-Heron (\"Bad News\"), and uplifting tales of love told through a blend of disco, gospel, and doo-wop (\"Have Mercy\") – were recorded in a week at Auerbach’s antique and ephemera-laden studio in Nashville following a rapid and prolific songwriting session.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Dan likes to have this writing process where you just let go and embrace the kind of pressure cooker environment that comes with extreme time limitation,” Aaron says, adding that the writing sessions pushed him creatively. “My influences are perfectionists; architects creating palaces. So it was definitely scary to do some letting go and try to get in touch with that kind of intuitive process.” Dan brought in legendary songwriters such as 80-year-old L. Russell Brown, who wrote hits for fellow falsetto Frankie Valli and co-wrote \"You Don’t Wanna Be My Baby,\" a pleading midtempo soul number and the album’s opening track. “As soon as Aaron started singing, Russell looked at me and his eyes lit up. He instantly understood Aaron; it was a perfect, effortless way to start the record.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“A lot of these songs are inspired by the relationship that I'm currently in, which is the healthiest relationship I've ever been in,” Aaron reflects. “Throughout the process, I was feeling a lot of gratitude. Not just for my sweetheart, but for my bandmates, for my family and friends who have helped me get to the point where I can have this experience.” Aaron has certainly created a community through his work with the Indications, gospel-soul project The Flying Stars of Brooklyn (Colemine Records), and countless side shows in Bloomington and New York- though his taste has propelled him to the far reaches of American music. From his roots in the mid-Atlantic, Aaron traveled to Indiana where he studied audio engineering and met the Indications, headed down to the Mississippi hill country to do archival recordings of blues music, developed his singing and writing chops while playing in New York folk clubs like the Jalopy Theatre, and continues to tour internationally with Durand Jones \u0026amp; The Indications.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout, Aaron has used music to call attention to issues of inequity and injustice, while highlighting the work of organizations like the Poor People’s Campaign. “It’s important ethically to try to use music for good. If you have something to say politically, don’t hide it until it’s asked about,” he says, adding that Introducing... balances songs of happiness with more political messages. The unique blend of ‘90s R\u0026amp;B and Chicago steppers on “Done Lyin’” reflects on friends’ battles with addiction, while “Bad News” is a soul-jazz rumination on the tumultuous state of the earth with a folk inflection, reflecting on the ways we choose to tune out in the face of crises like homelessness and climate change. “It’s hard to wrap our minds around a truly existential threat, so a lot of us ignore it. The song “Bad News” is almost like the earth itself gets on the subway asking for help.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAaron expertly calibrates consciousness-raising and the desire to be enveloped by love, presenting listeners with a multiplicity of emotions. Where previous records were written in a partial state of turmoil, Aaron’s debut LP shows maturation and range. 'Introducing...' is both loving and gracious, critical without losing hope.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We can sustain a movement and not a moment by following the lead of artists like Gil Scott- Heron, who wrote ‘We Almost Lost Detroit’ as well as ‘Your Daddy Loves You.’ Artists like Curtis Mayfield who wrote ‘We The People Are Darker Than Blue’ and also wrote ‘The Makings of You.’ And on and on with the balances of critical political commentary and a fearlessness to be tender. Those are my heroes and I can see a path forward in their work.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuerbach called on a crew of heavy session players -- including members of the Memphis Boys (who played on Dusty Springfield’s \"Son of A Preacher Man\" and Aretha Franklin’s \"You Make Me Feel Like A Natural Woman\"), symphony percussionist Sam Bacco, and members of the Daptone-Big Crown Records universe -- to record over six days. “I really didn't want to make a retro record with Aaron; I wanted it to be its own thing, have its own sound. The crew had not made records together before, so it was a very fresh feeling that I think will strike a chord with people. There's this amazing cross-section of musicians, young and old, with Aaron leading the way.” With a collaborative vision, Introducing... manages to hit the sweet spot between intuition, intentionality, and craft – a love song that’s both personal and universal.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aaron Frazer","offers":[{"title":"LP","offer_id":47595460690083,"sku":"DOC220LP-C5","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/doc220.aaron.frazer.introducing.revinyl.mock.jpg?v=1777412706"},{"product_id":"dancing-on-the-wall-signed-vinyl","title":"Dancing On The Wall SIGNED Vinyl","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eA special edition postcard signed by the band is included with your vinyl - This is super limited, with only a few available! \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eShipping in June\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-sleek-node-id=\"8NSpze\"\u003e\n\u003cspan data-sleek-node-id=\"I3mxjL\" style=\"color: rgb(0, 0, 0);\"\u003eMUNA’s journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album, \u003cem data-sleek-node-id=\"bTPPBV\"\u003eDancing On The Wall\u003c\/em\u003e, they’ve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.\u003c\/span\u003e\u003cbr data-sleek-node-id=\"SHGuzk\"\u003e\u003cbr data-sleek-node-id=\"uBaC23\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-sleek-node-id=\"n5YMkr\"\u003e\u003cspan data-sleek-node-id=\"hEs8X2\"\u003eAcross the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. 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The album closes with “Buzzkiller,” a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-sleek-node-id=\"NnOQZo\"\u003e\n\u003cbr data-sleek-node-id=\"J3DIYm\"\u003e\u003cspan data-sleek-node-id=\"RTaoLd\"\u003eTheir previous work, including the viral hit “Silk Chiffon,” has earned hundreds of millions of streams and widespread acclaim, alongside TV appearances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live, The Ellen DeGeneres Show, and Good Morning America. The band also maintains a devoted following across TikTok, Instagram, and Spotify.\u003c\/span\u003e\u003cbr data-sleek-node-id=\"6FEaRR\"\u003e\u003cbr data-sleek-node-id=\"2xO5jZ\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-sleek-node-id=\"vB1rvn\"\u003e\u003cspan data-sleek-node-id=\"zXZSKN\"\u003eProduced with their trademark attention to detail,\u003cspan\u003e \u003c\/span\u003e\u003cem data-sleek-node-id=\"GDcS9l\"\u003eDancing On The Wall\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eblends euphoric sonic landscapes with sharp, human storytelling. Led and largely produced by Naomi McPherson, A\u0026amp;R'ed label-boss by Phoebe Bridgers, the album is one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesn’t just capture the moment, but distills it into a world you want to inhabit.\u003c\/span\u003e\u003c\/div\u003e","brand":"MUNA","offers":[{"title":"Default Title","offer_id":47632449437859,"sku":"SAD028LPC2-V1","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sad028.muna.mock.lp.c2.postcard.jpg?v=1778218029"},{"product_id":"dancing-on-the-wall-signed-cd","title":"Dancing On The Wall SIGNED CD","description":"\u003cp\u003e\u003cstrong\u003eA special edition postcard signed by the band is included with your CD - This is super limited, with only a few available! \u003cspan style=\"text-decoration: underline;\"\u003eShipping in June\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-sleek-node-id=\"8NSpze\"\u003e\n\u003cspan data-sleek-node-id=\"I3mxjL\"\u003eMUNA’s journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album,\u003cspan\u003e \u003c\/span\u003e\u003cem data-sleek-node-id=\"bTPPBV\"\u003eDancing On The Wall\u003c\/em\u003e, they’ve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.\u003c\/span\u003e\u003cbr data-sleek-node-id=\"SHGuzk\"\u003e\u003cbr data-sleek-node-id=\"uBaC23\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-sleek-node-id=\"n5YMkr\"\u003e\u003cspan data-sleek-node-id=\"hEs8X2\"\u003eAcross the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and  how joy survives without denial. Tracks like “Wannabeher” capture the dizzying thrill of stepping fully into someone else’s fantasy, while “Why Do I Get A Good Feeling” lingers long after the beat ends, a meditation on fleeting joy and suspended possibilities. The album closes with “Buzzkiller,” a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-sleek-node-id=\"NnOQZo\"\u003e\n\u003cbr data-sleek-node-id=\"J3DIYm\"\u003e\u003cspan data-sleek-node-id=\"RTaoLd\"\u003eTheir previous work, including the viral hit “Silk Chiffon,” has earned hundreds of millions of streams and widespread acclaim, alongside TV appearances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live, The Ellen DeGeneres Show, and Good Morning America. The band also maintains a devoted following across TikTok, Instagram, and Spotify.\u003c\/span\u003e\u003cbr data-sleek-node-id=\"6FEaRR\"\u003e\u003cbr data-sleek-node-id=\"2xO5jZ\"\u003e\n\u003c\/div\u003e\n\u003cdiv data-sleek-node-id=\"vB1rvn\"\u003e\u003cspan data-sleek-node-id=\"zXZSKN\"\u003eProduced with their trademark attention to detail,\u003cspan\u003e \u003c\/span\u003e\u003cem data-sleek-node-id=\"GDcS9l\"\u003eDancing On The Wall\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eblends euphoric sonic landscapes with sharp, human storytelling. Led and largely produced by Naomi McPherson, A\u0026amp;R'ed label-boss by Phoebe Bridgers, the album is one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesn’t just capture the moment, but distills it into a world you want to inhabit.\u003c\/span\u003e\u003c\/div\u003e","brand":"MUNA","offers":[{"title":"Default Title","offer_id":47632525885603,"sku":"SAD028CD-V1","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sad028.muna.mock.cd.postcard.jpg?v=1778218026"},{"product_id":"dancing-on-the-wall-t-shirt-1","title":"Dancing On The Wall (T-Shirt)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eEstimated shipping 4 weeks from order date. \u003cmeta charset=\"utf-8\"\u003ePrinted on white Everywhere t-shirts. Available in the US only.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eMUNA’s journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album, \u003cem\u003eDancing On The Wall\u003c\/em\u003e, they’ve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eAcross the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and  how joy survives without denial. Tracks like “Wannabeher” capture the dizzying thrill of stepping fully into someone else’s fantasy, while “Why Do I Get A Good Feeling” lingers long after the beat ends, a meditation on fleeting joy and suspended possibilities. The album closes with “Buzzkiller,” a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eTheir previous work, including the viral hit “Silk Chiffon,” has earned hundreds of millions of streams and widespread acclaim, alongside TV appearances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live, The Ellen DeGeneres Show, and Good Morning America. The band also maintains a devoted following across TikTok, Instagram, and Spotify.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eProduced with their trademark attention to detail, \u003cem\u003eDancing On The Wall\u003c\/em\u003e blends euphoric sonic landscapes with sharp, human storytelling. Led and largely produced by Naomi McPherson, A\u0026amp;R'ed label-boss by Phoebe Bridgers, the album is one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesn’t just capture the moment, but distills it into a world you want to inhabit.\u003c\/div\u003e","brand":"MUNA","offers":[{"title":"Small","offer_id":47885076660387,"sku":"SAD028-T02-USM","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":47885076693155,"sku":"SAD028-T02-UMD","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":47885076725923,"sku":"SAD028-T02-ULG","price":35.0,"currency_code":"USD","in_stock":true},{"title":"XLarge","offer_id":47885076758691,"sku":"SAD028-T02-UXL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"2XLarge","offer_id":47885076791459,"sku":"SAD028-T02-U2XL","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/6703\/2483\/files\/sad028.muna.tshirt.mock.jpg?v=1776688328"}],"url":"https:\/\/secretlystore.com\/collections\/dance-party.oembed","provider":"Secretly Store","version":"1.0","type":"link"}